["itemContainer",{"xmlns:xsi":"http://www.w3.org/2001/XMLSchema-instance","xsi:schemaLocation":"http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd","uri":"https://ricercar.pcr.cesr.univ-tours.fr/items/browse?output=omeka-json&page=39","accessDate":"2026-04-05T12:05:23+02:00"},["miscellaneousContainer",["pagination",["pageNumber","39"],["perPage","50"],["totalResults","4556"]]],["item",{"itemId":"2656","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42525"},["text","CESR_person_03656"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42527"},["text","Bredemers (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42528"},["text","Colin"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42529"},["text","Colin de Bredemers"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42530"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42531"},["text","1508"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42532"},["text","1517"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42533"},["text","Institution_0031"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42534"},["text","Capella imperialis (Imperium Romanum Sacrum)"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42535"},["text","COLIN DE BREDEMERS (COLIN BREDEMERS, COLIN BREDENIERS)\n\nMentionné : 1508 à 1517\nEmploi(s) : Bourgogne, cour de (chapelle ducale) \nCompétence(s) musicale(s) : attestée, organiste\n\nBiographie : \nIl est porteur d’orgues puis organiste de la chapelle de Charles Quint. En 1508 et 1509, il est cité dans les comptes comme « garde et porteur d’orgues » ; en 1517 il occupe la fonction d’organiste (d’après Malou Haine, Nicolas Meeùs, Dictionnaire des facteurs d'instruments de musique en Wallonie et à Bruxelles du IXe siècle à nos jours, Bruxelles, Pierre Madraga, 1985, consultable en ligne).\nIl est cité comme membre de la chapelle dans les gages de cette dernière pour le mois de mai 1509 (d’après les archives départementales du Nord).\nSon oncle est plus connu que lui. Il s’agit d’Henri Bredemers ou Bredeniers, organiste de la chapelle de Philippe le Beau dès 1501, puis de Charles Quint en 1507 (d’après Malou Haine, Nicolas Meeùs, Dictionnaire des facteurs d'instruments de musique en Wallonie et à Bruxelles du IXe siècle à nos jours, Bruxelles, Pierre Madraga, 1985, consultable en ligne).\n \n\nRecherche de Colin de Bredemers, Colin Bredemers/Bredeniers :\n- Aucun autre résultat dans les documents fournis \n- Résultat sur Google : \nSandrine Thieffry, La Chapelle musicale aux Pays-Bas sous Charles Quint stabilité et engagement personnel, Centre Européen d'Études Bourguignonnes, 2005 : Ce livre n’est pas consultable en ligne. Dans l’extrait donné sur Google, Colin Bredreniers serait le second organiste de la chapelle de Charles Quint, alors que son oncle Henri Bredeniers en serait le premier.\n- Autres résultats avec Google Books : \n• À la p. 108 de Floris van der Mueren, Miscellanea musicologica Floris van der Mueren, 1950, un Colin Bredeniers est cité, mais il n’y pas de dates pour pouvoir le situer, et cet ouvrage n’est pas consultable en ligne.\n• D’autres ouvrages sont répertoriés mais le peu d’extraits accessibles en ligne montre qu’Henri Bredeniers est le plus célèbre des deux Bredeniers car son nom apparait plus que celui de son neveu. \n\nNON SIGNALÉ DANS MARTINEZ MILLAN"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42526"},["text","Bredemers (de), Colin (…-…)"]]]]]]]],["item",{"itemId":"2655","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42509"},["text","CESR_person_03655"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42511"},["text","Favier"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42512"},["text","Jacques"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42513"},["text","Jacques Favier"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42514"},["text","Braquet"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42515"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42516"},["text","1531-1-19"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42517"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42518"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42519"},["text","1509"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42520"},["text","1512"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42521"},["text","Institution_0031"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42522"},["text","Capella imperialis (Imperium Romanum Sacrum)"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42523"},["text","Aucune mention dans Schmidt-Görg 1939\n\nMentionné : 1509 à 1512\nEmploi(s) : Pays-Bas, cour des (chapelle royale)\nCompétence(s) musicale(s) : attestée, chantre (chanteur)\n\nBiographie :\nIl apparaît dans les gages de la chapelle pour le mois de mai 1509, sûrement la chapelle de Malines, à la cour des Pays-Bas, en tant que messire Jaques Favier (d’après les archives départementales du Nord).\nIl apparaît comme ex-chantre de la chapelle de Charles d’Autriche, en 1512 lors de son remplacement par un autre chantre, dans un extrait de Chrétien Dehaisnes, Jules Finot, Max Bruchet, Inventaire sommaire des Archives départementales antérieures à 1790, Nord : Archives civiles, série B, Archives départementales du Nord, 1931. (Ce livre n’est pas consultable en ligne, et les extraits donnés sont trop brefs pour obtenir d’autres informations. De plus, cet ouvrage est composé de plusieurs tomes [8 tomes], et on ne sait pas duquel est pris l’extrait qui nous a donné ces éléments.)\n\n\nRecherche de Jaques/Jacques Favier :\n- Aucun autre résultat dans les documents fournis \n- Aucun résultat satisfaisant sur Google (même en rajoutant les mots « chantre », « cour de Charles Quint »)\n- Autres résultats avec Google Books : \nChrétien Dehaisnes, Jules Finot, Max Bruchet, Inventaire sommaire des Archives départementales antérieures à 1790, Nord, Archives départementales du Nord, 1906. Jacques Favier est cité dans des extraits des archives départementales du Nord, non consultables en ligne dans leur ensemble, donc non exploitables par manque d’informations (surtout un manque de dates).\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42524"},["text","Schmidt-Görg 1938"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42510"},["text","Favier, Jacques (…-19 Jan. 1531). Musician"]]]]]]]],["item",{"itemId":"2654","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42493"},["text","CESR_person_03654"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42495"},["text","Bracquet"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42496"},["text","Adrien"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42497"},["text","Adrien Bracquet"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42498"},["text","Braquet"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42499"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42500"},["text","1531-1-19"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42501"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42502"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42503"},["text","1526"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42504"},["text","1531"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42505"},["text","Institution_0031"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42506"},["text","Capella imperialis (Imperium Romanum Sacrum)"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42507"},["text","Dans le rôle des bénéfices de 1526, chantre, pour une prébende de Soignies (la 7e selon Wins) qu’il obtint à la mort de “Michael le Vivarier” le 30 avril 1530, mais ne détint que moins d’un an puisqu’il serait mort peu avant le 19.1.1531, date à laquelle cette prébende passe à Jean Druart (Schmidt-Görg 1938, p. 68). Un motet “Homo quidam” figurant dans le ms. A-Wn 19189, n° 16 est soit de lui, soit de Gilles Bracquet*.\n\nIles cures de Flandre. \n\nBraquet (Bracquet), Adrien 67 f., 280, 282, 284, 304, 306, 309, 311, 314 f."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42508"},["text","Schmidt-Görg 1938"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42494"},["text","Bracquet, Adrien (…-19 Jan. 1531). Musician"]]]]]]]],["item",{"itemId":"2653","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42472"},["text","CESR_person_03653"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42474"},["text","Deslouges"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42475"},["text","Philippe"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42476"},["text","Philippe Verdelot (Deslouges)"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42477"},["text","Verdelot"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42478"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42479"},["text","Role_024 "]],["elementText",{"elementTextId":"42480"},["text"," Role_002 "]],["elementText",{"elementTextId":"42481"},["text"," Role_001 "]],["elementText",{"elementTextId":"42482"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42483"},["text","Composer "]],["elementText",{"elementTextId":"42484"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"42485"},["text"," Musician "]],["elementText",{"elementTextId":"42486"},["text"," Singer"]]]],["element",{"elementId":"71"},["name","Period of activity (beginning) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42487"},["text","circa"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42488"},["text","1511"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42489"},["text","circa"]],["elementText",{"elementTextId":"42490"},["text","1532"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42491"},["text","Voir Dictionnaire\n\nNG2 ne commente pas le pbme DEslouges/Verdelot\n\nŒuvres de Deslouges chez Attaingnant\n1529/1 H 12, motets n° 2 & 3 attribués dans la table à \"Deslouges\" et \"Idem\". Heartz indique \"Phi. Deslouges\" et \"Deslogues\", sans doute d'après l'attribution au-dessus de la musique. Le 1er motet est réédité dans le 2e livre de motets 1534/4 H 47, et le second dans le 1er livre 1534/3 H 48, avec attributions à Philippe Verdelot\n1529/2, H. 14 : Seule demeure et despourvue, 4vv, “Deslouges” (ed. MMRF, vii (1897)). \n\nMotets \nSancta Maria succurre míserís, 4vv, “Phi. Deslouges” dans les 12 motets de 1529/1, anon. in Pc A 17; parodied by Gombert); SM ii. Figure aussi dans 's HerAB 73, PadBC A17, UppsU 76c, RegB B223-33, MunBS 16 et réimprimé entre autres dans Mottetti del frutto 4 vc Bk 1 et Liber primus collectorum modulorum (qui moteta vulgo dicuntur) 1553/ 2 Chemin & Goudimel. Salve Barbara, dignissima, figure aussi dans VerBC 760. Vérifier attribution"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42492"},["text","NG2"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42473"},["text","Deslouges, Philippe (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2652","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42456"},["text","CESR_person_03652"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42458"},["text","Bamelroy"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42459"},["text","Jacques"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42460"},["text","Jacques Bamelroy alias Lieges ou Le Liegeois"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42461"},["text","Lieges "]],["elementText",{"elementTextId":"42462"},["text"," Le Liegeois"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42463"},["text","Male"]]]],["element",{"elementId":"62"},["name","Cities_Standardized_ID Birth"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42464"},["text","Cities_Standardized_0144"]]]],["element",{"elementId":"63"},["name","Place of birth"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42465"},["text","Liège"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42466"},["text","1520"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42467"},["text","1535"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42468"},["text","Institution_0031"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42469"},["text","Capella imperialis (Imperium Romanum Sacrum)"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42470"},["text","Jacques Bamelroy/Bamelron dit Lieges ou Le Liegeois\n\nMentionné de 1520 à 1532 et en 1534-1535\n\nEmploi :\nEmpereur, cour de l’ (Saint-Empire Romain Germanique) : chapelle impériale (Charles Quint)\n\nCompétences musicales\nAttestées\nMembre d’une chapelle impériale.\n\n\nBiographie :\nChantre de la grande chapelle de la Maison de Bourgogne (Maison de l’Empereur) entre 1520 et 1531 et en 1534-1535.\nIl est nommé aux prébendes de St Pierre à Namur, de Oosteborne et de la Haye par ordonnance du 26 octobre 1526. (Brussel, Archives générales du Royaume, Fonds : Papiers d’Etat et de l’Audience, N°1249a bis.)\nOn ne sait pas ce qu’il fait entre les années 1531 et 1535 mais il reçoit de l’empereur le 15 septembre 1532 un impayé de gages d’un montant de 43 livres et 18 sols. (Lille Chambre des comptes série B n° 3350 f. 186 ff.)\n\n\nBibliographie :\n-MARTINEZ MILLAN José (dir.), La corte de Carlos V, Madrid, Sociedad estatal para la conmemoración de los centenarios de Felipe II y Carlos V, 2000.\n-SCHMIDT-GORG Joseph, Nicolas Gombert: Kapellmeister Kaiser Karls V [Nicolas Gombert, maître de chapelle de Charles Quint], Bonn, L. Röhrscheid, 1938 ; réimpr. Tutzing : H. Schneider, 1971.\n-VAN NEVEL Paul, Nicolas Gombert et l’aventure de la polyphonie franco-flamande, Paris, Kargo/L’Éclat, 2004, p. 49.\n\nOuvrages non consultés dans lesquels le personnage est cité :\n-AUDA Antoine, La musique et les musiciens de l’ancien pays de Liége, Editions Musicale Schola Cantorum, 1930.\n-BRENET Michel, Les musiciens de la Sainte-Chapelle du Palais, Minkoff Reprint, 1973.\n-EVEN-LASSMANN Bénédicte, Les musiciens liégeois au service des Habsbourg d’Autriche au XVIe siècle, Hans Schneider, 2006.\n-GACHARD Louis Prosper, Collection des voyages des souverains des Pays-Bas, 1881.\n-VANDER STRAETEN Edmond, La musique aux Pays-Bas avant le XIXe siècle, G.-A. van Trigt, 1885"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42471"},["text","Schmidt-Görg 1938"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42457"},["text","Bamelroy, Jacques (…-…)"]]]]]]]],["item",{"itemId":"2651","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42431"},["text","CESR_person_03651"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42433"},["text","Alaventure"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42434"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42435"},["text","Johannes Alaventure"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42436"},["text","Alaventura "]],["elementText",{"elementTextId":"42437"},["text"," A la Venture "]],["elementText",{"elementTextId":"42438"},["text"," A la ventura "]],["elementText",{"elementTextId":"42439"},["text"," Allaventure"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42440"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42441"},["text","Role_024 "]],["elementText",{"elementTextId":"42442"},["text"," Role_037 "]],["elementText",{"elementTextId":"42443"},["text"," Role_001 "]],["elementText",{"elementTextId":"42444"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42445"},["text","Composer "]],["elementText",{"elementTextId":"42446"},["text"," Master of choirboys "]],["elementText",{"elementTextId":"42447"},["text"," Musician "]],["elementText",{"elementTextId":"42448"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42449"},["text","1515"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42450"},["text","1515"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42451"},["text","Cities_Standardized_2585"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42452"},["text","Veere"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42453"},["text","Institution_0247"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42454"},["text","Grote of Onze-Lieve-Vrouwekerk in Veere"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42455"},["text","Archiv für Musikwissenschaft: Volume 47\n \nHans Heinrich Eggebrecht, Fürstliches Institut für Musikwissenschaftliche Forschung (Bückeburg, Germany) - 1990 - Extraits\nVon einem Jo. ala Venture ist allerdings außer seiner Erwähnung auf der römischen Handschrift nichts weiter bekannt; Antoine de Longueval aber ist als Sänger der königlich-französischen Hofkapelle unter Ludwig XII. ...\nbooks.google.fr - Autres éditions\n\nAttrib ds VatCS 42 (16, 164)\n\nLongueval's most important work, the Passio Domini nostri, may have been written in Ferrara for Holy Week 1504 (Heyink), though its earliest source, a Roman manuscript copied before 1508, ascribes the motet to an unknown ‘Jo. ala venture’ (the Toledo manuscript, copied in the Low Countries about 1520–35, also gives ‘Alaventura’). Van den Borren’s suggestion that ‘à l'aventure’ is a translation of the Dutch ongeval (‘mishap’) has nothing to recommend it, as Longueval's name was not Jean and he was not from a Dutch-speaking area. Heyink’s prposal that Longueval adopted the alternative name in Italy is not supported by any evidence and is similarly unlikely because of the different Christian name. Tagmann’s suggestion that ‘Venturo detto Musini, soprano’, a singer in Mantua in 1509–10, should be identified with Longueval is falsified by the frequent designation of Longueval as ‘contrabasso’ in Ferrarese documents. It must remain possible that Longueval was not the composer of this piece, although the ascriptions to La Rue and Obrecht in later German sources are stylistically inappropriate. The motet's text is adapted from the Passion narrative according to Matthew, but incorporates passages (especially the words of Christ) from all the Gospels. The music continually varies its scoring and rhythmic and contrapuntal character (see ..\\Frames/F005197.htmlPassion, ex.5); the chanted recitation tone for the Passion is often present, but even when it is not the melodic patterning is dominated by recitation on a single note. The variety and expressiveness of Longueval's Passion made a strong impression in Lutheran Germany, where it was widely disseminated and served as a model for numerous 16th-century settings by other composers.\n\n1908\nHaarlemsche bijdragen: bouwstoffen voor de geschiedenis van het bisdom Haarlem\nPublished 1900 by Drukkery van het St. Jacobs-Godshuis .Written in Dutch\nINDEX TOME 1908\nAlaventura (Joan.), 15 15, pr., not., XXV, 445. Albergen. lir. vh Gem. leven, XXII, 175. Albert, 142 1, кар., ...\nbooks.google.fr - Autres éditions\n\nSérie d’articles JJ van der Horst, “Kerkelijk Veere”\nDe Katholiek 46 (1864) p. 82-101, 210-225, 267-300; 47 (1865) p. 173-197; 48 (1865) p. 160-183. PUIS Haarlemsche bijdragen XXV (1900), p. 424-452 et XXVI (1901), p. 47-69, 161-199, 341-369.\n\nXXV (1900), p. 445\nAls priester en openbaar notaris hebben te Veere gewoond : \n\n1480. Heer Johannes Theunissen, van het Kamerijksche \nbisdom. \n\n1497. Heer Joannes Baillet, van het Doorniksche bisdom. \n\n1508, Heer Anthoni Danckaerts. \n\n1514. Heer en Meester Cornelis Jacobsz. van Schellacht. \n\n1515. Heer Joannes Alaventura, die tevens zangmeester van het kapittel was. \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42432"},["text","Alaventure, Jean (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2650","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42412"},["text","CESR_person_03650"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42414"},["text","Billard"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42415"},["text","Aubert"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42416"},["text","Aubert Billard"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42417"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42418"},["text","Role_024 "]],["elementText",{"elementTextId":"42419"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42420"},["text","Composer "]],["elementText",{"elementTextId":"42421"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42422"},["text","1392"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42423"},["text","1394"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42424"},["text","Cities_Standardized_0537"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42425"},["text","Paris"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42426"},["text","Institution_0074"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42427"},["text","Cathédrale Notre-Dame de Paris"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42428"},["text","NG2 Billard\n\nBillart\n(fl ?c1400). French composer. He is known only from the four-voice Marian isorhythmic motet Salve virgo virginum/Vita via veritas/Salve regina in GB-Ob Can.misc.213 (ed. in Van den Borren, no.24). This is a work of exceptional mensural complexity and repeated harsh dissonances in the upper voices, optimistically described by Van den Borren as giving ‘some idea of improvised counterpoint, as it was practised in the fifteenth century’. The top voice has as its text one of the best-known glosses (Chevalier no.18318) on the antiphon used in the tenor. Given the manuscript context and the style of the work, Billart may well be identifiable with Aubert Billard (Albertus Billardi), a clerk and chaplain at Notre Dame, Paris, from 1392 to 1394.\nBIBLIOGRAPHY\nA. Pirro: La musique à Paris sous le règne de Charles VI (1380–1422) (Paris, 1930/R) \nC. Van den Borren, ed.: Polyphonia sacra: a Continental Miscellany of the Fifteenth Century (Burnham, Bucks., 1932, 2/1963) \nC. Wright: Music and Ceremony at Notre Dame of Paris, 500–1500 (Cambridge, 1989), 301–2 \nDAVID FALLOWS\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42429"},["text","NG2 "]],["elementText",{"elementTextId":"42430"},["text"," Wright 1989"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42413"},["text","Billard, Aubert (…-…). Composer; Musician"]]]]]]]],["item",{"itemId":"2649","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Il mourut le 6 novembre 1580."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42388"},["text","Henrion, Léonard (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2648","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Il fut fait chanoine en 1555, reprit pour la seconde fois le gouvernement des enfants, l'année suivante restant chanoine. Après la mort du précédent, il fut pourvu de la sous-chantrerie par le vicaire-général du cardinal de la Bourdaisièrc. C'étoitlui qui, deux ans auparavant, avoit obtenu du Chapitre d'Auxerre (2) un morceau de la relique qu'on appeloit le manteau de saint Martin, pour l'église de Saint-Martin-d'Olivet, proche Orléans, où il avoit été baptisé. Il mourut sous-chantre, le 16 juillet 1573, et fut inhumé devant la chapelle de Saint-Martin."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42367"},["text","Beaulieu (de), Pierre (…-…). Musician"]]]]]]]],["item",{"itemId":"2647","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42345"},["text","CESR_person_03647"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42347"},["text","Maillard"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42348"},["text","Chrestien"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42349"},["text","Chrestien Maillard"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42350"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42351"},["text","Role_037 "]],["elementText",{"elementTextId":"42352"},["text"," Role_001 "]],["elementText",{"elementTextId":"42353"},["text"," Role_019 "]],["elementText",{"elementTextId":"42354"},["text"," Role_040"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42355"},["text","Master of choirboys "]],["elementText",{"elementTextId":"42356"},["text"," Musician "]],["elementText",{"elementTextId":"42357"},["text"," Organist "]],["elementText",{"elementTextId":"42358"},["text"," Succentor (ecclesiastical office)"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42359"},["text","1497"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42360"},["text","1525"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42361"},["text","Cities_Standardized_0402"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42362"},["text","Auxerre"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42363"},["text","Institution_0044"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42364"},["text","Cathédrale d'Auxerre"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42365"},["text","Mémoires concernant l'histoire civile et ecclésiastique d'Auxerre ...: Volume 2 - Page 484\nJean Lebeuf, Ambroise Challe, Maximilien Quantin - 1851 - Afficher la publication entière\n\nChrestien Maillard, qui avoit été maître des enfants de chœur, en 1497, puis organiste, en 1499, étoit chanoine et sous-chantre au mois de décembre 1513, lorsqu'on indiqua le jour pour choisir un évéque après la mort de Jean Baillet. On le retrouve dans les registres Je 1523 et 1524. On croit que Jean Billard, maître des enfants en 1499. reçu chanoine en 1519, lui succéda en 1525 ou 1526. et ne garda pas ce bénéfice."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42346"},["text","Maillard, Chrestien (…-…). Musician; Organist"]]]]]]]],["item",{"itemId":"2646","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42336"},["text","CESR_person_03646"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42338"},["text","Amyot"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42339"},["text","Jacques"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42340"},["text","Jacques Amyot"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42341"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42342"},["text","1499"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42343"},["text","1593 "]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42344"},["text","Mémoires concernant l'histoire civile et ecclésiastique d'Auxerre ...: Page 161-190\nJean Lebeuf, Ambroise Challe, Maximilien Quantin - 1851 - Afficher la publication entière\n\np.188\n“Dès l'an 1588, on avoit songé de demandera l'évêque la suppression d'une vingtaine de prébendes, mais ce projet étoit resté sans exécution. Dans une pareille disette d'argent, de part et d'autre, les difficultés furent facilement aplanies et la paix mise entre les parties. L'auteur de la vie de notre évêque n'a pas oublié de marquer que ce prélat aimoit la musique, et qu'étant dans son palais épiscopal il ne rougissoit point de chanter sa partie avec des musiciens. Il ajoute que son amour pour le chant lui faisoit témoigner plus d'amitié à ceux d'entre les chanoines qui alloient volontiers a l'aigle pour y chanter, et il estimoit pareillement tous les tortriers, chantres, commis et autres gagistes qui avoient belle voix et qui savoient leur métier, pourvu qu'ils fussent de bonnes mœurs. Il se plaisoit même à jouer des instruments ; et souvent, avant le dîner, il touchoit d'un clavecin, pour se mettre à table l'esprit plus dégagé après ses études sérieuses. L'estime qu'il témoigna pour les musiciens les enhardit à faire main-basse sur le système de psalmodie des anciens antiphoniers de la cathédrale, dont la modulation étoit usitée au moins depuis le siècle de Charlemagne. On coupa, trancha, supprima tout ce qui ne convenoit pas à leurs nouveaux principes d'accords, en rendant cahoteux ce qui auparavant étoit doux; on introduisit donc alors une\n189\nbarbarie et une disette étonnante, capables d'inspirer du mépris pour le plain-chant (1). Mais ce qui dut consoler les personnes zélées pour le chant grégorien et les autres chants anciens, est que , dans le temps même de ces entreprises, un chanoine commensal de notre évêque et son économe, inventa une machine capable de donner un nouveau mérite au chant grégorien. Ce chanoine, nommé Edme Guillaume, trouva le secret de tourner un cornet en forme de serpent, vers l'an 1590(a). On s'en servit pour les concerts qu'on exécuta chez lui, et cet instrument ayant été perfectionné est devenu commun dans les grandes églises. Amyot, qui témoigna toujours de l'inclination pour la musique, en eut besoin plus que jamais, pour chasser la mélancolie qui s'empara de lui, depuis son retour des Etats de Blois, et surtout depuis l'an 1591, qu'il ne fut plus grand-aumônier, ne pouvant pas même, en ce temps-là, aller se délasserà Régennes, parce que ce château étoit rempli d'une garnison, sous la conduite d'un chanoine que le Chapitre y commettoit (2). Quoique son corps fût fait au froid et au chaud, et qu'il fût d'une bonne constitution, il se trouva enfin attaqué d'une fièvre lente qui lui dessécha les poumons. Sentant sa fin approcher, il eut recours aux sacrements de l'Eglise, et les ayant tous reçus , il mourut le 6 février 1593, dans sa quatre-vingtième année.\n(1) Il y a eu des chanoines assez hardis pour dire que des livres ainsi défigurés sous l'épiscopat de M. Amyot, sont le vrai et ancien chant de l'église d'Auxerre, et il s'en est trouvé d'assez simples pour les croire, quoique tout réclame contre ce préjugé.\n(2) Reg. Capituli.\n(a) Cependant, si l'on en croit un compte de la fabrique dela cathédrale de Sens de l'an 1453, le serpent était déjà connu à cette époque, car on y lit: « Ressoudé le » serpent de l'église et mis à point un lien de laiton qui tient le livre. » (.V. d. E.)\n(b) L'évêque mourut à deux heures après midi et en présence d'un grand nombre de personnes ecclésiastiques et laïques. 4-^-' (N. d. E.) \n\nCHAPITRE V.\nJACQUES AMYOT, 96e ÉVÊQUE D'AUXERRE.\n\nLa vacance du siége épiscopal d'Auxerre, qui commença le 20 15701 1593. février 1570, et qui dura un peu plus d'un an, ne changea presque rien (a). Le Chapitre continua les pouvoirs de vicaire général à Gaspard Damy, qui l'avoit déjà été sous trois évêques d'Auxerre consécutivement, sauf les protestations que le doyen et l'archidiacre firent pouf la conservation de leurs droits (2). La seule innovation a laquelle cette vacance donna occasion, est, que le Chapitre qui avoit toujours nommé et conféré en corps les bénéfices pendant les vacances du siége, statua, le 10 février 1571, que chaque chanoine nommeroit ou présenteroit à son tour par semaine, en commençant par le doyen, usa. jusqu'à ce que le siége épUcopal fût rempli, et qu'à la vacance suivante on reprendroit le tour où l'on en seroit resté. Mais cette conclusion ne put avoir lieu cette fois-là, puisque dès le commencement du mois de mars, Jacques Amyot, successeur du cardinal de la Bourdaisière , prit possession de l'évêché par procureur.\nPlusieurs historiens ont écrit certaines particularités de la vie de Jacques Amyot sur des ouï-dire, et sans avoir devant les yeux des mémoires fidèles. Tels sont Varillas, Brantôme, Saint-Réal, et même M. de Thou. Comme ils ont été déjà réfutés par un critique célèbre (1), on trouvera bon que je me dispense de rapporter les circonstances qu'ils ont marquées de sa jeunesse, sans cependant passer sous silence ce que j'ai appris par les écrits de ceux qui ont souvent parlé à ses amis les plus intimes, et auxquels il ne cachoit rien, quand l'occasion se présentoit de dévoiler ses plus grands secrets. On ne peut mieux être informé des commencements de sa vie, que par le mémoire qu'il en dressa lui-même, et qu'il confia à Renaud Martin, l'un de ses commensaux, pour l'achever après sa mort. Là-dessus Rouillard a rédigé ce qu'il en dit dans son Histoire de Melun, et en cela il aura toujours la préférence parmi les critiques. Ce mémoire ayant été inséré à la fin du livre manuscrit de la cathédrale d'Auxerre, qu'on appelle Gesla Pontificum, a été rendu public par le P. Labbe , jésuite, au bout de cette collection sur les évêques d'Auxerre. C'est ce que Bayle paroit avoir ignoré, lorsqu'il a remarqué que cette vie latine n'a pas été imprimée. Jacques Amyot y dit de lui-même qu'il étoit né à Melun, le 30 octobre 1513, de parents plus avantagés du côté de la vertu que de celui de la fortune. Il ne déclare point la profession dont étoit son père Nicolas Amyot; mais ses commensaux le tenoient pour le fils d'un petit marchand de mercerie; ce qui s'accorde avec Rouillard qui dit que ce marchand vendoit des bourses et des aiguillettes. Lorsqu'il eut appris les premiers rudiments à Melun, il alla à Paris où il continua ses études de grammaire, servant de domestique à quelques écoliers d'un collége qu'il n'a jamais nommé; sa mère, Marguerite d'Amours ou des Amours, avoit soin de lui envoyer exactement chaque semaine un\n\n(1) Bayte dans ton Dictionnaire.\n\npain par les bateliers de Melun. L'avidité d'apprendre le poursuivant moiium. jusque dans la nuit, il avoit recours à la lumière que pouvoient fournir quelques charbons embrasés, et il s'en servoit au lieu de chandelle ou d'huile, tant étoit grande alors son indigence; avec ces foibles secours pour les premiers commencements, il ne laissa pas d'atteindre les classes supérieures. Il apprit la langue grecque au collége du cardinal le Moine, sous Jean Evagre rémois, qui tenoit une classe exprès pour cette langue. Il étudia la poésie sous Jacques de Tusan, professeur ropl, l'éloquence et la philosophie sous Pierre Danès (1), et les mathématiques sous Oronce Finée, tous trois professeurs royaux établis nouvellement par François Ier. S'étant fait passer maître ès-arts a dix-neuf ans (2). il alla à Bourges pour y étudier le droit civil avec un jeune homme qui fut depuis célèbre avocat en parlement (3). \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42337"},["text","Amyot, Jacques (…-…)"]]]]]]]],["item",{"itemId":"2645","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42317"},["text","CESR_person_03645"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42319"},["text","Billard"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42320"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42321"},["text","Jean Billard"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42322"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42323"},["text","Role_037 "]],["elementText",{"elementTextId":"42324"},["text"," Role_001 "]],["elementText",{"elementTextId":"42325"},["text"," Role_040"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42326"},["text","Master of choirboys "]],["elementText",{"elementTextId":"42327"},["text"," Musician "]],["elementText",{"elementTextId":"42328"},["text"," Succentor (ecclesiastical office)"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42329"},["text","1499"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42330"},["text","1526"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42331"},["text","Cities_Standardized_0402"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42332"},["text","Auxerre"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42333"},["text","Institution_0044"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42334"},["text","Cathédrale d'Auxerre"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42335"},["text","Mémoires concernant l'histoire civile et ecclésiastique d'Auxerre ...: Volume 2 - Page 484\nJean Lebeuf, Ambroise Challe, Maximilien Quantin - 1851 - Afficher la publication entière\nOn croit que Jean Billard, maître des enfants en 1499. reçu chanoine en 1519, lui succéda en 1525 ou 1526. et ne garda pas ce bénéfice. Pierre Magnen, bachelier en droit, qui avoit été, en 1520, secrétaire de M. de ...\n\nEN 1495\nLes archives hospitalières de Paris\n \nHenri Léonard Bordier, Léon Brièle - 1877 - Extraits\nGages et pensions, c Messire Jehan de Preaulx, trésorier et chanoine xl 1. p. ; Jehan Bauldin chanoine, distributeur des mereaui xxxij s p.; Jehan Langueteau clerc des autels xxiv 1. p.; Jehan Billard, maistre des enfans de cueur xix 1. ..."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42318"},["text","Billard, Jean (…-…). Musician"]]]]]]]],["item",{"itemId":"2644","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42293"},["text","CESR_person_03644"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42295"},["text","Moulu"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42296"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42297"},["text","Pierre Moulu"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42298"},["text","Male"]]]],["element",{"elementId":"59"},["name","Date of birth Qualif Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42299"},["text","1493"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42300"},["text","Role_024 "]],["elementText",{"elementTextId":"42301"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42302"},["text","Composer "]],["elementText",{"elementTextId":"42303"},["text"," Musician"]]]],["element",{"elementId":"71"},["name","Period of activity (beginning) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42304"},["text","circa"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42305"},["text","1505"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42306"},["text","circa"]],["elementText",{"elementTextId":"42307"},["text","1550"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42308"},["text","Cities_Standardized_0506"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42309"},["text","Meaux"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42310"},["text","Institution_0058 "]],["elementText",{"elementTextId":"42311"},["text"," Institution_0115 ?"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42312"},["text","Cathédrale de Meaux "]],["elementText",{"elementTextId":"42313"},["text"," Chapelle royale de France ?"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42314"},["text","Voir notice NG2\n\nSherr 1988, p. 81-82 : Pierre Moulu (?) \nThe following documents concern a \"Petrus Moulu\" who is not further identified as a singer or musician. However, the general date and the name allow for the possibility that these are the only documents yet found about the composer.98\n98 However, the last document, which appears to show him resident in Meaux in 1513, a period when he should have been connected with the French court, may speak against the identification. \nRS 1213, fol. 52r. supplication dated 3o August, 1505. Moulu, described as a cleric of the diocese of Meaux and in his 21st year,99 asks for an indult to allow him to take possession of one of the major chaplainries of the cathedral of Meaux. He states that he has fulfilled the obligation that possessors of such chaplainries be educated at the cathedral (\"in prefata ecclesia nutritus et divinis officiis instructus\"), and he asks permission to be able to fulfil the other condition that he be ordained a priest. \nRS 1214, fols. 22r- 22v: supplication dated 18 September, 1505. Moulu, described as a cleric of the diocese of Meaux and in his 2 lst year'00 asksfor a new provision to the chaplainry of St-Eloi in the cathedral of Meaux. The income was not expected to exceed 24florins.\nRS 1422, fols. 226r-227v: supplication dated 1o September, 1513. \nMoulu has resigned the chaplainry at the altar of St-Eloi in the cathedral of Meaux, but asks to continue to be allowed to live in the house in the cathedral close reserved for the person who held this chaplainry. \n82 99 \"Petrus Moulu, clericus Meldensis diocesis in vicesimoprimo sue etatis anno consti-82 tutus.\" \n100 \"Petrus Moulu, clericus Meldensis diocesis in vicesimoprimo sue etatis anno constitutus.\" \nsinger in any royal chapel],77 asks for a new provision to the canonry and prebend in the cathedral of Notre Dame de Paris, vacant on the death of Guillaume le Condurier. The income was not expected to exceed 24 ducats. "]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42315"},["text","NG2 "]],["elementText",{"elementTextId":"42316"},["text"," Sherr 1988"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42294"},["text","Moulu, Pierre (1493-…). Composer; Musician"]]]]]]]],["item",{"itemId":"2643","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42280"},["text","CESR_person_03643"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42282"},["text","Mouton"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42283"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42284"},["text","Pierre Mouton"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42285"},["text","Holluigue (de)"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42286"},["text","Male"]]]],["element",{"elementId":"65"},["name","Date of death Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42287"},["text","1522-10-30"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42288"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42289"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42290"},["text","1502"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42291"},["text","1534"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42292"},["text","Voir Notice Cazaux 2002. Chanoine de ND en 1514 Legrand 1926, récit des funérailles Anne de Bretagne, 14-I5 février 1514\nDumitrescu Document 69: 1508/9 Feb 12 (ADLC E743, f. 72v) Guillaume de la Poterie, priest of the diocese of Thérouanne, appoints Magister Pierre Mouton procurator for the collation of any benefice. Executed in Blois; Witnesses: Simon Martineau, Saturnin Pelletier\n\n(COLLAGE SHERR 1988) Sherr 1988, p. 65-66\nAntoine de Feripy \nRS 1351, fol. 266v: supplication dated i iJuly, 1510. Feripy, described as a cleric of \"N\" diocese, of noble birth, and as a singer in the king's chapel,28 asks for a canonry and prebend in the cathedral of Rouen, vacant by the death of Johannes Garin outside of Rome. The income was said not exceed 24 ducats. \n\nElzear Genet alias Carpentras \nCarpentras can be connected with the chapel of Louis XII not through documents, but through his own admission; in the dedication to Cardinal Ippolito de' Medici of the print of his Liber Hymnorum (1532), he stated that he had been recalled to Rome from the French court by Leo X at the beginning of his pontificate. It is now possible to give an idea of the dates of his service to the king. Genet had been a member of the papal chapel at least since 1508, but on 21 May, 1512, he announced his intention of leaving Rome and asked permission to keep the privileges of the papal singers while he was away; presumably, he joined the French royal chapel soon after.29 Nor was he recalled immediately to Rome on the accession of Leo X. The radical idea of making a \ncomposer (Genet) the Master of the papal chapel did not occur immedi-\n67 ately to the pope, who on 6 April, 1513, gave the position to the Archbishop of Durazzo, the former sacristan of the chapel.3? Genet was in Rome soon after, however, and was made Master of the papal chapel on 5 November, 1513.31 \n\nAntoine de Longueval \nLongueval had moved from Ferrara to the royal chapel around 1507.32 He was one of a number of singers in the chapel of Francois I granted benefices and favors by Leo X.33 \nRS 1340, fol. 67r: supplication dated 2 March, 1510. Longueval, described as a canon of the Ste-Chapelle of Bourges, of noble birth, and as a singer in the king's chapel,34 asks for a dispensation allowing him to hold three incompat- \nible benefices. \n28 \"Antonius de Feripy, clericus N diocesis seu civitatis de nobili genere ex utroque parente procreatus devoti vestri et Sancte Romane Ecclesie filii Ludovicii francorum regis Christianissimi cantor capellanus.\" \n29 RS 1386, fols. 120r-120v. \n30 RS 1406, fol. io5v. \n31 RS 1433, fols. 2r-2v. \n32 See Lewis Lockwood, Music in Renaissance Ferrara 1400-1505 (Cambridge, MA, 1984). \n33 See RV 1206, fols. 466r-466v: bull dated 17 December, 1515. Longueval is made an apostolic notary. Also RV 1206, fols. 476v-479r: bull dated 30 January, 1516. Longueval is granted a dispensation allowing him to hold incompatible benefices. \n34 \"Anthonius de Longueval, canonicus ecclesie Sancte Capelle Bituricensis de nobili \nTHE JOURNAL OF MUSICOLOGY \nRS 1341, fol. 243r: supplication dated 20 March, 15 o. Longueval, described as a canon of the Ste-Chapelle of Bourges, of noble birth, and as a royal chamberlain [and not as a singer in any royal chapel],35 had obtained the parish church of Aqueteville in the diocese of Coutances or Rouen [\"ecclesia de Aqueteville Constantiensis diocesis perinde Rothomagensis\"] and asks for a dispensation allowing him to continue to hold the benefice for three more years without becoming a priest. \nRS 1439, fols. 1 13r-1 13v: supplication dated 23 December, 1513. Longueval, described as a canon of the Ste-Chapelle of Bourges, of noble birth, and \nas the king's chamberlain,36 had been given a dispensation to hold two incompatible benefices by the papal legate Cardinal Georges d'Amboise, and had been \ngranted the parish churches of Aqueteville in the diocese of Coutances and Esquenernaville in the diocese of Lisieux. He now asks for a dispensation to allow \nhim to hold as many as four incompatible benefices. \n35 \"Antonius de Longueval, canonicus ecclesie sancte capelle Bituricensis ... de nobili genere ex utroque parente procreatus ac Christianissimi francorum regis cubicularius.\" \n36 \"Antonius de Longueval canonicus ecclesie Sancte Capelle Bituricensis de nobili genere ex utroque parente procreatus . .. illustrissimi christianissimi francorum regis camerarius\nRS 143 1, fols. 84r- 84v: supplication dated 2 November, 1513. Reverdi, described as a priest of an unnamed diocese and singer in the king's chapel,40 had engaged in a lawsuit with Guillaume Muscuvyer concerning the parish church of \nFressemeville in the diocese of Amiens. Reverdi has ceded the benefice and asksfor a pension of 2 livres \"monete in regno francie\" to be paidfrom the fruits. \nRS 1437, fols. 37r-37v: supplication dated 13 January, 1 14. Reverdi, described as priest of an unidentifiable diocese, and of the parish church of St-Egide de Crotot in the diocese of Rouen, and singer in the king's chapel,4' asks for a dispensation allowing him to hold as many as three incompatible benefices. \n\nConrad Renuger* 69 \nAlthough Renuger was in the king's chapel in 1510, he apparently had moved to the queen's chapel by 1513. He is the Mas- \nter of the Chapel in the 1515 list. \nRS 1346, fol. 142r: supplication dated 14 May, 1 1 0. Renuger, described as the archpriest \"insule Bourgardi\" in the cathedral of Tours and as a singer in the king's chapel,42 asks for a dispensation allowing him to hold three incompati- \nble benefices. \nRS 1433, fols. 271v- 272v: supplication dated 30 October, 1513. Renuger, described as a priest of an unidentifiable diocese and singer in the queen's \nchapel,43, had been given four benefices: a canonry and prebend in the church of \n39 \"Guillermus Porci, rector parrochialis ecclesie Sancti Viexiis de Ruvere Baiocensis diocesis, magister in artibus, ac capelle Christianissimi francorum regis cantor capellanus.\" \n40 \"Georgius Reverdi presbiter N ... christianissimi francorum regis capelle ordinarius cantor.\" \n41 \"Georgius Reverdi presbiter Monsconensis [?] diocesis parrochialis ecclesie Beati Egidii de Crotot Rothmagensis diocesis, capelle christianissimi regis cantor.\" \n42 \"Conradus Renuger, archipresbiter insule Bougardi in ecclesia Turonensis ad Romanam ecclesiam nullo medio pertinente ac Christianissimi francorum regis cantor capellanus.\" \n43 \"Conradus Renuger, presbiter Astatensis (?) diocesis ... qui in capella devotissime et Sancte Romanae Ecclesie Anne francorum regine et Britanie duxisse illustrissime cantor capellanus existit.\" \nTHE JOURNAL OF MUSICOLOGY \nSt-Sauveur in Blois, the archpriestship \"insule Bouchard\" in the cathedral of Tours, the parish church of St-Gervais de Mantellam in the diocese of Tours, and the priory of St-Medard de Ylla in the diocese of Tours. He has the necessary dis- \npensation, and asks for a new provision to the benefices. The income of each of the benefices was not expected to exceed 24 ducats. \n\nNicasius de Villin \nRS 1337, fol. 136r: supplication dated 5 February, 1510. Villin, described as a canon of the church of Notre Dame de Cleriaco \"nullius diocesis,\" and as a singer in the king's chapel,44 asks for a dispensation extending permission to hold incompatible benefices to three. \n\nChapel of Anne de Bretagne \nAntoine Divitis, Master of the Chapel* \nThat Divitis was the Master of Anne's chapel in 15 l is perhaps the most interesting information provided by these documents, but it causes problems. For in the very month that he is so named \n70 in the document cited below, Jean Mouton is also called Master of the Queen's chapel in a chapter act of St-Andre of Grenoble.45 Perhaps the \nVatican document is mistaken or Mouton and Divitis shared the position of Master. In any case, Divitis probably moved to Anne's employ \nshortly after the disbanding of the chapel of Philip the Fair in 1506. \nRS 1345, fols. 2ir- 2 v: supplication dated 2 May, 1510. Robert Challand [Britto, Guibe], Cardinal of Nantes, [also known by his titular church of St. Anastasia], had obtained in commendam the priory of St-Jacques de Premul of the \nBenedictine Order, outside the walls of Nantes, but now asks to cede it to Divitis, described as cleric of Liege and singer and Master of the queen's chapel.46 The income was said not to exceed 200 ducats and the cardinal is given the right of regression. \nRS 135 7,fols. 1 r- iv: supplication dated 15 October, 1510. Divitis, described as cleric of the diocese of Liege and singer in the queen's chapel, cedes the priory de Sensibus of the Augustinian Order in the diocese of Rennes, to Petrus \n44 \"Nicasius de Villin, canonicus ecclesie Beate Marie de Cleriaco nullius diocesis ad Romanam ecclesiam nullo medio pertinente, capelle Christianissimi francorum regis cantor capellanus.\" \n45 See Josephine Shine, \"The Motets of Jean Mouton,\" (Ph.D. dissertation, New York University, 1953), p. 18; document dated io May, 1510. \n46 \"Antonius de Riche, clericus Leodiensis diocesis qui capelle carissime in Christo filie et Sancte Romane Ecclesie filie vestre Anne francorum regine et ducisse Britannie magister et cantor existit.\" \nCHAPELS OF LOUIS XII AND ANNE DE BRETAGNE \nJouault, described as a priest of the diocese of Rennes and singer in the queen's chapel. The income was not expected to exceed i oo ducats. \nRS 1444, fols. 57r-57v: supplication dated 29 January, 1514. Divitis [not described as a singer in any royal chapel]47 has ceded the priory ofPremul of the Benedictine Order in the diocese of Nantes. Bernardus Clerici, canon of the diocese of St-Malo and apostolic scriptor, asks for the benefice. The income was not expected to exceed 150petits livres tournois. \n\nJean de Hollewigue alias Mouton, Master of the Chapel* \nMouton is named as a singer in Anne's chapel on 22 April, 1509, and is called Master of the Chapel in a document of 1510 (see Divitis above), but it is likely that he joined Anne's chapel around 1501-02.48 He was also one of a number of singers in the chapel of François I granted benefices and favors by Leo X.49\nRS 1312, fol. 21 or: supplication dated 14 February, 1509. Mouton, described as a cleric of the diocese of Therouanne [and not as a singer in any royal 71 chapel], asks for a new provision to the parish church of Tolay, vacant on the death of Egide de Quibriac and given to Mouton by Cardinal Robert Challand. The benefice had originally been resigned by Divitis. The income was not expected to exceed 24 ducats. \nRS 1333, fol. i1 8r: supplication dated 28 November, 1509. Mouton, de- \nscribed as a cleric of the diocese of Therouanne [and not as a singer in any royal \nchapel],50 asks for a dispensation to allow him to hold three incompatible benefices. \nRS 1359,fol. 302v: supplication dated 2January, 1511. Franfois le Vigo- \nreux and Mouton ask to be allowed to make a permutation of benefices whereby le \nVigoreux [not described as a singer in any royal chapel or as the cleric of any \ndiocese] will resign a canonry and prebend in the cathedral of Tours and Mouton \n[not described as a singer in any royal chapel or as the cleric of any diocese] will \nresign the parish church of St. Elnodus \"alias de Sancte Dolien\" in the diocese of \nNantes (and Cardinal Robert Challand who held this benefice in commendam \nwill cede it). The income of the canonry was not expected to exceed 24 ducats and \nthe income from the parish church was not expected to exceed 140 ducats.51 \n47 \"Antonius Divitis alias de la Riche.\" \n48 Bonime, \"Anne de \nBretagne,\" pp. 67-68. \n49 RV 1206, fols. \n473r-473v: bull dated 17 December, 1515. Mouton is made a papal \nnotary. \n50 \n\"Johannes de Hollewigue alias Mouton, clericus Morinensis diocesis.\" \n51 The document is not \ntotally clear on this point. \nTHE JOURNAL OF MUSICOLOGY \nEgide Charpentier \nMost of Charpentier's career was spent as a singer in \nthe papal chapel; he first appears in a chapel list of June 1508.52 In Feb- \nruary of 1510, he announced his intention of leaving Rome and was \ngranted permission to keep the privileges of a singer in the chapel.53 He \nreturned to the papal chapel in August, 1514.54 The relatively large \nnumber of documents presented here may be the result of the experi- \nence he gained as a hunter of benefices while a papal singer. And at least \none of them contains a subterfuge related to his former employment. In \nJanuary, 1514, Charpentier made a permutation of benefices with the \npapal singer Johannes Radulphi, and the original supplication (pre- \nsented below) and the actual bull listed by Frey (along with many others \nof 1513) state that Charpentier was also a member of the papal chapel, \nthus suggesting that he returned to Rome in 1513.55 Yet this seems to be \ncontradicted by a motu proprio which states that Charpentier actually re- \njoined the chapel in August, 1514.56 The conflict is resolved by a suppli- \ncation dated 24 February, 1514, in which Charpentier specifically asks \nto be considered as a papal singer in the bull of 30 January, 1514 (and \n72 therefore as a recipient of their special privileges), even though he was \nnot in fact in Rome or a member of the chapel when the bull was \npromulgated (see below); this legal subterfuge probably applies to the \nbulls of 1513 as well. He most likely remained in the queen's chapel until \nher death in January, 1514, and then made his way back to Rome. \nRS 1388, fol. 298v: supplication dated 22January, 1512. Charpentier, \ndescribed as a priest of the diocese of Amiens [and not as a singer in any royal \nchapel],57 asks for benefices vacant on the death ofJean Braconnier alias Lour- \ndault. See Braconnier above. \nRS 1380, fol. 229v: supplication dated 13 February, 1512. Charpentier, \ndescribed as a priest of the diocese of Amiens [and not as a singer in any royal \nchapel], asks for benefices vacant on the death of Braconnier. See Braconnier \nabove. \nRS 1397,fols. 219v- 22or: supplication dated 1 o November, 1512. Fran- \nciscus [Hamon], Bishop-elect of Nantes, has resigned the parish church of Orato- \nriusBoterelli in the diocese of Nantes. Charpentier, described as a cleric of Amiens \n52 \nSee Rome, Archivio di Stato, Misc. Corvisieri busta i, fasc, 12. \n53 See RS \n1339, fol. 225V: supplication dated 21 February, 1510. \n54 Rome Archivio di Stato, Camerale I, 859A, fol. io8r. See also Frey; MF VIII (1955), \n61-62. \n55 See \nFreyMF VIII (1955), 66-67. \n56 See Rome, Archivio di Stato, Camerale I \n859A, fol. io8r. \n57 \n\"Egidius Charpentier, presbiter Ambianensis diocesis.\" \nCHAPELS OF LOUIS XII AND ANNE DE BRETAGNE \n[and not as a singer in any royal chapel],58 asks for the benefice. The church was \nunited to the parish church of St-Hilaire de Cugno [Organo?]. The income was \nnot expected to exceed i oo ducats. \nRS 1399, fols. 15 7-158r: supplication dated lo November, 1512. Fran- \nciscus, Bishop-elect of Nantes, nephew of Cardinal Robert Challand, resigns \n[and the cardinal cedes his right of regression] to the above and other benefices in \nfavor of Guido Lorens, cleric of Nantes, Franfois Rubeis, cleric of Treguier and \nDoctor of Laws [these two do not seem to have been musicians], Charpentier, cleric \nof the diocese of Amiens,Jean Nolin, cleric of the diocese of Chartres,Jean Richa- \nfort, cleric of the diocese of Liege, and Balduin Lupi, cleric of the diocese of The- \nrouanne.59 \nRS 1423, fol. 152v: supplication dated 6 September, 1513. Charpentier, \ndescribed as a canon of the cathedral ofBeauvais [and not as a singer in any royal \nchapel],60 asks for an unnamed archpriestship in an unnamed church, vacant on \nthe death ofJohannes de Halestant outside of Rome, and a dispensation allowing \nhim to retain the parish church of Oratorio Boterelli in the diocese of Nantes. The \nincome was not expected to exceed 24 ducats. \n73 \nRS 1426, fol. 208r: supplication dated 12 September, 1513. Basically a \nrepeat of the previous supplication. \nRS 1426, rol. 213r: supplication dated 24 September, 1513. Charpentier, \ndescribed as a canon of Beauvais and a singer in the queen's chapel,61 had en- \ngaged in a lawsuit withJean de Lyons concerning the parish church of St-Medard \ndes Poult in the diocese of Soissons. Charpentier resigns the benefice and asks for a \npension of 20 ducats to be paid to him from the fruits of the benefice. \nRS 1427, fols. 111-1 12r: supplication dated 5 October, 1513. Charpen- \ntier, described as a priest and rector of the parish church of St-Medard des Paux in \nthe diocese of Soissons has resigned the benefice. Jean de Lyons asked to be granted \nit. The income was not expected to exceed 24 ducats. \nRS 1440, fols. 6v- 7or: supplication dated 30 January, 1514. Charpen- \n58 \n\"Egidius Charpentier, clericus Ambianensis diocesis.\" \n59 The benefices were: canonries and \nprebends in the cathedrals of Nantes and \nRennes and the parish churches of Nort, des Touches, Albaretz, St. Hilarius de Cugno/ \nOratorius Boterelli. These were requested by: \"Guido Lorens et Franciscus Rubeis ... \nac Johannes Nolin necnon Johannes Richafort et Balduinus Lupi ac Egidius Carpentier \nclerici Nannetensis et Trecoriensis ac Carnotensis necnon Leodiensis et Morinensis ac \nAmbianensis.\" See under the respective names. \n6o \n\"Egidius Charpentier, canonicus ecclesie Belvacensis.\" \n61 \n\"Egidius le Carpentier, canonicus Belvacensis diocesis ac cantor capellanus illustris- \nsime domine francorum regine.\" \nTHE JOURNAL OF MUSICOLOGY \ntier and Johannes Radulphi, both described as singers in the papal chapel, have \nmade a permutation of benefices whereby Charpentier has resigned the parish \nchurch of Oratorio Boterelli in the diocese of Nantes and Radulphi has resigned \nthe parish church of Seguelnan in the diocese of Vannes. The incomes of these \nbenefices were not expected to exceed 1 oo ducats. \nRS 1445,fols. g6v- 97r: supplication dated 24 February, 1514. In the bull \nallowing the above permutation, Charpentier had been described as a papal \nsinger even though he was not in fact in Rome or a member of the papal house- \nhold. 62 Because he is worried that this fact may cause him legal problems with the \npermutation, he asksfor an indult whereby the bull will be read as if he really were \na member of the chapel at that time. \nJean de Fresne \nRS 141 1, fol. 14 v: supplication dated 9 May, 1513 (reign of Leo X). \nFresne, described as a cleric of the diocese of Cambrai and as a singer in the \nqueen's chapel,63 asks for a dispensation allowing him to hold two incompatible \nbenefices. \n74 \nNoel Galoys \nGaloys was one of the singers of the chapel of Fran- \n?ois I receiving benefices and favors from Leo X in 1515.64 \nRS 1436,fols. 154v-15r r: supplication dated 21 December, 1513. Galoys \nand Robert Presel, both identified as singers in the queen's chapel, 65 have engaged \nin a lawsuit concerning a canonry and prebend in the church of St-Gervais de \nViromanda in the diocese of Noyon. They have come to an agreement whereby \nPresel cedes his rights to Jean Le Myre, Galoys cedes the benefice to Le Myre, and \nLe Myre pays a pension of 40 livres tournois \"monete currente in francia\" to \nGaloys. \nPierre Jouault alias Brule \nBrule joined the papal chapel shortly after the \nQueen's death.66 Although in the present documents, he is described as \n62 \n\"Dictus orator pro eoque tempore dicti literarum huiusmodi absens a curia erat \nprout adhuc existit, nec e Sanctitatis Vestri continuus comensalis pro presenti existit.\" \n63 \n\"Johannes de Fresne, clericus Cameracensis diocesis, capellanus et cantor cappelle \ndevote vestre francorum regine.\" \n64 RV 1206, fols. \n474r-475v: bull dated 30 January, 1515- Galoys is granted a dispen- \nsation allowing him to hold incompatible benefices. \n6- \"Robertus Pressel ... et Natales Galoys cantores capelle illustrissime domine regine \nfrancie.\" \n66 He entered the papal chapel in August, 1514 (Anne died on January 9, 1514). See \nRome, Archivio di Stato, Camerale I 859A, fol. io8r. See also Hermann-Walther Frey, \nCHAPELS OF LOUIS XII AND ANNE DE BRETAGNE \na cleric of Breton dioceses, in a supplication he submitted on 4 May, \n1507 (in which he is not described as a singer in any royal chapel), he is \ncalled a cleric of the diocese or city of Liege.67 \nRS 1325,fol. 296v: supplication dated 17 September, 1509.Jean Corbin, \nprior of the priory of St-Julien de Cancelles of the Benedictine Order in the diocese \nof Nantes, dependent on the monastery of St-Florent de Salmuro in the diocese of \nAngers, has resigned the benefice, and Brule, described as a cleric of the diocese of \nAngers and as a singer in the queen's chapel,68 asks to be granted the benefice. The \nincome was said not to exceed 24 ducats. \nRS 1357, fols. 1 r- 1v: supplication dated 15 October, 1510. Antoine \nDivitis, cedes a priory to Brule, described as a priest of the diocese of Rennes and \nsinger in the queen's chapel. See Divitis above. \nRS 1359, fol. 259v: supplication dated 30 October, 1510. Brule [not de- \nscribed as a member of any royal chapel] requests an addition to a supplication \ndated 15 October, 1510, stating that Cardinal Robert Challand had the right of \nregression to the priory [not identifiedfurther] and has ceded it. \n75 \nRS 1417, fols. 13 r-13 v: supplication dated 29 June, 1513. The parish \nchurch of St-Eloi de Montauban in the diocese of St-Malo,69 vacant on the death \nof Charles Hautbois, bishop of Tournai, had been given to Brule, described as a \ncleric of the diocese of Rennes and as a singer in the queen's chapel. 70 Brule asks \nfor a new provision to the benefice. The income was not expected to exceed 24 \nducats. \nBalduin Lupi (?) \nAlthough Lupi is not identified in any other docu- \nments as a singer, his placement in the list of people in the first docu- \nment below (between Richafort and Charpentier) suggests strongly that \nhe was a singer, probably in the chapel of Anne de Bretagne. \n\"Regesten der papstlichen Kapelle unter Papst Leo X und zu seiner Privatkapelle,\" Die \nMusikforschung VIII (1955), 71. \n67 See RS \n1253, fols. 215r- 21 5V: supplication dated 4 May, 1507. Brule, described as a \ncleric of Liege \"vel alterius diocesis\" or of the city of Liege, had made a permutation of \nbenefices withJohannes Douchet, whereby Brule had resigned a canonry and prebend in \nthe church of St. Albanus in the town of Nauburien [Namur?] in the diocese of Liege and \nDouchet had resigned the parish church of Carabosco and the chaplainry at the altar of \nSt. Nicholas in the church of St. Johannes in the diocese and city of Liege. Because the \nincome of the canonry/prebend was more than the income of the other benefices, Brule \nasks for a pension of 24 rhenish florins to be paid by Douchet. \n68 \"Petrus Jouault alias \nBrule, clericus Andegavanensis diocesis cappelle Illustrissime \nAnne francorum regine et Britannie ducisse cantor.\" \n69 \"Parrochialis ecclesia Sancti \nEligii de Monte Aubano Macloviensis diocesis.\" \n70 \"Petrus \nJouault alias Brule clericus Redonensis diocesis capelle illustrissime fran- \ncorum regine cantor ordinarius.\" \nTHE JOURNAL OF MUSICOLOGY \nRS 1399,fols. 15 7v- 158r: supplication dated i o November, 1512. Fran- \nciscus [Hamon], Bishop-elect of Nantes has resigned many benefices to many peo- \nple [see Charpentier, above], among them the parish church of Albaretz in the \ndiocese of Nantes. Lupi, described as a cleric of Therouanne [and not as a singer \nin any royal chapel], asks for the benefice. The income was not expected to exceed \n80 ducats. \nRS 1418, fol. 142v: supplication dated 15July, 1513. Lupi, described as \nthe rector of the parish church of Abaratz in the diocese of Nantes [and not de- \nscribed as a singer in any royal chapel],71 has resigned the benefice. Franciscus \n[Hamon], Bishop-elect of Nantes asks for the benefice. The income was not ex- \npected to exceed i oo ducats. \nJean Maupin* \nMaupin had previously been in the king's chapel and \nwas a member of the chapel of the Duke of Ferrara in 1506 and 1508.72 \nRS 1347, fol. 27v: supplication dated 6June, 151 o. Maupin, described as \nrector of the parish church of Novonico in the diocese ofA utun and a singer in the \nqueen's chapel,73 asks for a dispensation to allow him to hold three incompatible \nbenefices. \nRS 1379, fol. 1 o6v: supplication dated 27January, 1512. Maupin, described as \nthe rector of the parish church of Durat in the diocese of Meaux [and not as a \nsinger in any royal chapel], deacon, and in his 23rd year, 74 asks permission to be \nordained a priest. \nPierre Mouton* \nPierre Mouton, the Queen's organist in 1509,75 is \nclosely connected with the cathedral of Notre Dame; it was as a canon of \nthe cathedral that he died on 11 May, 1534.76 \nRS 1337, fols. 129v-13or: supplication dated 29January, 151o. Mou- \nton, described as a priest of the diocese of Paris and a Master of Arts [and not as a \n71 \"Balduinus Luppi, rector parrochialis ecclesie d'Abaratz Nannetensis diocesis.\" \n72 See Lewis \nLockwood, \"Jean Mouton and Jean Michel: French Music and Musicians \nin Italy 1505-1520,\"Journal of the American Musicological Society XXXII (1979), 2 1o. \n73 \n\"Johannes Maupin, rector parrochialis ecclesie de Novonico Eduensis diocesis, ca- \npelle devote vestre Anne francorum regine illustrissime cantor capellanus.\" \n74 \nJohannes Maupin, rector parrochialis ecclesie loci de Durat Meldensis vel alterius \ndiocesis, in diaconatu ordine et vicesimo tertio vel circa sue etatis anno constitutus.\" \n75 He is so designated in a chapter record of St-Andre in Grenoble in which he wit- \nnessed the conferral of a benefice on Jean Mouton on 22 April, 1509. See Josephine \nShine \"The Motets of Jean Mouton,\" p. 16; and Bonime, \"Anne de Bretagne,\" chapter 5. \n76 Information \nsupplied by Craig Wright. \nCHAPELS OF LOUIS XII AND ANNE DE BRETAGNE \nsinger in any royal chapel],77 asks for a new provision to the canonry and prebend \nin the cathedral of Notre Dame de Paris, vacant on the death of Guillaume le \nCondurier. The income was not expected to exceed 24 ducats. \nRS 1347,fols. 275r- 275v: supplication dated 6June, 151 . Mouton, de- \nscribed as a canon of the cathedral of Notre Dame, Master of Arts, and rector of \nthe parish church of St-Denis de Bourdenfer in the diocese of Paris [and not as a \nsinger in any royal chapel], 78 asks for a dispensation allowing him to hold three \nincompatible benefices. \nJean Nolin*79 \nRS 1347, fol. 274r: supplication dated 6June, 1510. Nolin, described as \nrector of the parish church of St-Remy de Ponchon in the diocese ofBeauvais and \nas a singer in the queen's chapel,80 asks for a dispensation to allow him to hold \nthree incompatible benefices. \nRS 1397,fols. 219r- 2 1v: supplication dated 1 oNovember, 1512. Fran- \nciscus, Bishop-elect of Nantes, has resigned the parish church of Nort in the dio- \ncese of Nantes. Nolin, described as a cleric of the diocese of Chartres [and not as a \nsinger in any royal chapel],81 asks for the benefices. Franciscus was in the house- \nhold of Cardinal Robert Challand. The income was not expected to exceed \ngo ducats. \nRS 1399, fols. 157r-157v: supplication dated 1o November, 1512. An- \nother document concerning the same benefice, and others claimed byJean Richa- \nfort, Egide Charpentier, and Balduin Lupi. See Charpentier above. \nRobert Presel \nSee Galoys above. \nConrad Renuger \nSee king's chapel list above. \nJean Richafort \nAlthough none of the documents mentioned here \nspecifically states that Richafort was a member of any royal chapel, it \n77 \"Petrus Mouton, \npresbiter Parisiensis, in artibus magister.\" \n78 \"Petrus \nMouton, canonicus ecclesie Parisiensis, ac rector parrochialis ecclesie Sancti \nDionisii de Bourdenfer Parisiensis diocesis, magister in artibus.\" \n79 He \nmay be the \"Noly\" in the 1515 list. \n8o \nJohannes Nolin, rector parrochialis ecclesie Sancti Remigii de Ponchon Belvacensis \ndiocesis, capelle devote vestre Anne francorum regine illustrissime cantor capellanus.\" \n81 \n\"Johannes Nolin, clericus Carnotensis.\" \nTHE JOURNAL OF MUSICOLOGY \nseems almost certain that he belonged to Anne's chapel because the \nbenefice he received was in Brittany. These are the earliest documents \nconnecting him with the French court.82 He was also one of the singers \nof the chapel of Fran?ois I to receive benefices and favors from Leo X.83 \nRS 1397, fol. 219v: supplication dated o November, 1512. Franciscus, \nBishop-elect of Nantes has resigned the parish church of Touches in the diocese of \nNantes. Richafort, described as a cleric of Liege [and not as a singer in any royal \nchapel], 84 asksfor the benefice. The income was not expected to exceed 1 oo ducats. \nRS 1399, fols. 157r-5 7v: supplication dated o November, 1512. An- \nother document concerning the same benefice, and others claimed by Egide Char- \npentier, Jean Nolin, and Balduin Lupi. See Charpentier above. \nClaudin de Sermizy* \nThe earliest document about Sermizy places him in \nthe Sainte-Chapelle in July, 1508. The documents presented below fill \nout part of a gap in his biography, and suggest that he was one of the \nmusicians whom the queen enticed away from the Sainte-Chapelle in \n78 late 1508.85 He is also one of the singers of the chapel of Fran?ois I who \nreceived benefices and favors from Leo X.86 \nRS 1339 fols. 65v- 66r: supplication dated 4 February, 151o. Sermizy, \ndescribed as a cleric of \"N\" diocese and as a singer in the queen's chapel,87 asks to \nbe granted in commendam the priory of St-Jean de Bouguennes of the Augustin- \nian Order in the diocese of Nantes, vacant on the death of Gohin, Abbot of the \nmonastery of Ste-Marie Magdalene de Genestonio in the diocese of Nantes. The \nincome was said not to exceed i oo ducats. \nRS 1348, fol. 1 29 r: supplication dated 8June, 151 o. Sermizy, described as \na cleric of the diocese of Noyon, prior of the priory of St-Jean de Bouguennes [see \nabove] in the diocese of Nantes, and as a singer in the queen's chapel,88 asks for a \ndispensation to allow him to hold three incompatible benefices. \n82 \nSee Lawrence Bernstein, La Couronne et Fleur des Chansons a Troys, Part 2: Commen- \ntary; Masters and Monuments of the Renaissance, vol. 3 (New York, 1984) for a summary \nof Richafort's biography. \n83 RV 1206, fols. \n468r-46gv: bull dated 3oJanuary, 1516. Richafort is given a dispen- \nsation allowing him to hold incompatible benefices. He is also described as rector of the \nparish church of Touches in the diocese of Nantes (see document above). \n84 \"Johannes Richafort, clericus Leodiensis.\" \n85 Bonime, \"Anne de \nBretagne,\" pp. 36-37. \n86 \nRV 1206, fols. 466v-468r: bull dated 3oJanuary, 15 16. Sermizy is given a dispensa- \ntion allowing him to hold incompatible benefices. \n87 \"Claudius de Sermisi, clericus N diocesis, dilecte in Christo et Sancte Romane Eccle- \nsie filie vestre Anne Francorum regine et Britannie ducisse Christianissime cantor.\" \n88 \"Claudius de Sermissy, clericus Noviomensis diocesis, prioratus commendatorius \nCHAPELS OF LOUIS XII AND ANNE DE BRETAGNE \nJean de Vasse \nRS 1347, fol. 275v: supplication dated 6June, 151o. De Vasse, described \nas a cleric of Le Mans and as a singer in the queen's chapel, 89 asks for a dispensa- \ntion to allow him to hold three incompatible benefices. \nRS 1347, fol. 277v: 1 1 June, 1510. De Vasse, described as a cleric of Le \nMans [and not as a singer in any royal chapel]90 asks for a new provision to a \ncanonry and prebend in the cathedral of Le Mans vacant on the death of Marius \nGuerrande. The income was said not to exceed 24 ducats. \nFran;ois Le Vigoreux* \nLe Vigoreux is not identified in this document as a \nsinger in either royal chapel, but I am assuming that he was a member of \nAnne's chapel because the benefice involved was in the diocese of \nNantes. \nRS 1359, fol. 302v: supplication dated 2January, 1511. See entry under \nMouton. \n79 \nThe most interesting information presented here \nconcerns the extent and quality of the chapel of Anne de Bretagne (al- \nthough of course it is a question as to how separate the chapels of the \nking and queen really were). While it has long been known that she had a \nprivate chapel, and that Mouton was one of her singers,91 it had not been \nknown (as these supplications show) that the Queen employed others of \nthe rising generation of French composers; in fact she employed almost \nall of them (Mouton, Divitis, Richafort, and Sermizy), or that she had \nsuch a large chapel (16 people can be identified as her chapel singers in \nthe years 1510-14; in 1515, the king's chapel numbered 22, and this \npresumably represented a merger of the two royal chapels). Anne's \nchapel might have been formed as an expression of her special devotion \nto religion and love of music; more likely she maintained one more as \npart of her dignity as the reigning Duchess of Brittany than as Queen of \nFrance. Indeed, her personal patronage o"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42281"},["text","Mouton, Pierre (…-30 Oct. 1522). Musician"]]]]]]]],["item",{"itemId":"2642","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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RS 1359, fol. 302v: supplication dated 2January, 1511. See entry under \nMouton. "]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42279"},["text","Sherr 1988"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Mandement d"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42253"},["text","Fourcade, Jean (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2640","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42239"},["text","CESR_person_03640"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42241"},["text","Dumarais"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42242"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42243"},["text","Pierre Palude / Dumarais"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42244"},["text","Du Marais "]],["elementText",{"elementTextId":"42245"},["text"," Pallude "]],["elementText",{"elementTextId":"42246"},["text"," Palude"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42247"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42248"},["text","1519"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42249"},["text","1520"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42250"},["text","Organiste de Georges II d’Amboise\n\nAD-76, G 101 Cpte G. d’Amboise, 1519-1520\n[41] Mises faictes pour l’esglise\n…\nItem a trois chappelains qui ont chanté aspiciens le premier dimenche de l’advent & a deulx chappelains qui ont dit le gradal ledit jour et ch (?), xlv s\n…\nBaillé a mess. Jaspar Bunel [Bimel ?], distributeur du chapitre pour loo [lou ?] de monseigneur.\n…\nBaillé a treize bons enfans le jour de la cour ? du commandement de msgr, 13s\n\n[41v]\n[entrée du roi de Fr le 22 août]\n\n[42] Aultre mise quant msgr celebre a toutz son pallion\nA cause des pensions des chappellains\nLe dernier jour de septembre a mess Jehan Le Mercier, chapp & recepveur du  St Esperit, 35£\nA mess raoul Du Val pour le college de Darnetal, pour ledit terme & ledit jour, 26£\n[57v] A maistre Pierre Pallude, organiste, 40£\n"]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42251"},["text","Collette & Bourdon 1892"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42240"},["text","Dumarais, Pierre (…-…)"]]]]]]]],["item",{"itemId":"2639","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42222"},["text","CESR_person_03639"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42224"},["text","Gilley (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42225"},["text","Guillaume"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42226"},["text","Guillaume (de) Gilley"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42227"},["text","Gelley"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42228"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42229"},["text","Role_002 "]],["elementText",{"elementTextId":"42230"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42231"},["text","Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"42232"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42233"},["text","1530"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42234"},["text","1533"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42235"},["text","Institution_0115"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42236"},["text","Chapelle royale de France"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42237"},["text","Chantre et chanoine de la chapelle du roi dans un document notarié (minutier central) Cazaux 2002, p. 274\n“Chanoine” ?… bizarre\n\nGILLEY Guillaume de [1530 - oct. 1531 et à partir d’oct. 1533] Chantre de la chapelle de François Ier. Le parcours de Guillaume de Gilley à la chapelle royale est entrecoupé d’une absence de deux ans. Un passage du compte des Menus-Plaisirs, daté de mars 1530, laisse entendre qu’il venait d’être recruté :  A maistre Guillaume Gelley l’un des chantres de la chappelle dud. sr, la somme de 75 L. t. a luy donnée et ordonnée par led. sr pour subvenir a ses necessitez et affaires, et ce en attendant que led. sr l’ayt faict coucher en l’estat de sa Maison comme les autres chantres de sadicte Chappelle [...] laquelle somme luy a esté payée [...] le 14e jour de mars l’an 1529 [1530 n. st.] AN KK 100, f. 21.. De même, le 18 octobre 1531, une minute notariée fait état de ses fonctions de chantre de la Chapelle. Dans ce document, Guillaume de Gilley donne procuration à un apothicaire parisien afin d’obtenir de Bénigne Serre, receveur général de Languedoïl, le paiement d’une partie de ses gages du quartier de juillet à septembre 1531 et de ceux du quartier suivant, d’octobre à décembre 1531. Peut-être fut-il à ce moment contraint de quitter provisoirement Paris et la chapelle royale, puisqu’il ne put recevoir en personne les sommes qui lui étaient dues. En 1533, le compte de la Chapelle de musique révèle que Guillaume de Gilley fut « de nouvel receu chantre en lad. Chapelle », ce qui étaye cette hypothèse ; à cette occasion le roi lui versait 75 L. t. de gages correspondant au mois d’octobre à décembre 1533. Gilley disparaît des documents royaux après 1533. "]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42238"},["text","Cazaux 2002"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Il ne remplit sa fonction que 2 ans puisqu’il se retira le 19.3.1506 pour un voyage en Terre Sainte dont il a laissé un récit complet. Il avait lui-même désigné au chapitre pour le remplacer un choriste de la chapelle royale nommé Mathurin Dubuisson. Il devait continuer plus tard de s’intéresser aux enfants de la maîtrise, qu’il reçut plusieurs fois dans sa maison de campagne. En 1519 (délibérations capitulaires en 1515 et le 19.8.1519), il fit don à la cathédrale d’un orgue magnifique placé sur le jubé (Collette & Bourdon 1892, p. 113-114).\nCompte de la fabirque 1511-1512 : il donne 10 écu à un organiste venu d’Anjou pour visiter les orgues. (Tougard Bull Soc Acad Seine-Inf X (1894-96), p. 145)\n\nDie Johanniter und die Wallfahrt nach Jerusalem (1480-1522) - Résultats Google Recherche de Livres Jyri Hasecker - 2008 - Christian pilgrims and pilgrimages - 323 pages ... Pierre Mésenge (1507): Edition commentée du pèlerinage en Terre Sainte, fait en 1507 par Charles de La Rivière, hrsg. Françoise Pouge, Mémoire de maîtrise, unviversité de Tours, 1975\n\nL'ordonnance d'un médecin vénitien. Citer ce document / Cite this document : Daoust J., Dillemann Georges. La curieuse ordonnance d'un « notable docteur en médicine » vénitien (1507). In: Revue d'histoire de la pharmacie, 55e année, N. 193, 1967. pp. 425-433. \ndoi : 10.3406/pharm.1967.8365 http://www.persee.fr/web/revues/home/prescript/article/pharm_0035-2349_1967_num_55_193_8365\n\nLes manuscrits. \nCette relation, dont nous ne pouvons donner ici qu'un bref aperçu, apparut très vite digne d'intérêt, car nous en possédons \nencore au moins trois manuscrits du xvi* siècle. L'un est conservé à la bibliothèque d'Amiens, dans le fonds de Charles de l'Esca- \nlopier (ms 98 [5215]) : c'est un in-quarto de quatre-vingt-seize folios. Le deuxième se trouve à la bibliothèque de Rouen (ms 1119 : \nA 280*) et comporte quatre-vingt-cinq folios. Quant au troisième, un in-folio sur vélin, détenu en 1776- par un négociant d'Amster \ndam, PierrenAntoine Crevenna, et signalé par R. Rôbricht dans sa Bibliotheca geographica Palestinae 4, il fut vendu chez Sotheby, le \n6 décembre 1937, à M. Sawyer, un libraire londonien!5. \n\nPierre II Mésenge. \nSi bavard soit-il et (grâces lui en soient rendues î le narrateur se montre fort discret sur lui-même et sur sa famille. Pourtant, les archives ne sont muettes ni sur son oncle, ni sur lui-même. \nL'oncle, le chanoine Pierre Ier Mésenge, était trésorier de l'archevêque de Rouen6, Georges I\" d'Amboise (1494-1510), le ministre de \nLouis XII. Le 4 novembre 1499, alors qu'on s'apprêtait à arrêter, à l'hôtellerie rouennaise du Dieu d'Amour, des voyageurs dont la \nlangue et l'allure semblaient bizarres, Mésenge reconnut dans l'un des suspects le cardinal Jean de Médicis, le futur Léon X, qui \nvoyageait incognito. Grâce à la perspicacité du chanoine, l'éminence séjourna tranquillement à Rouen jusqu'au 11 décembre \n1499. \nPierre I\" Mésenge était mort en 1505, non sans avoir pourvu fort convenablement son neveu et homonyme, notre pèlerin. Celui- \nci, en 1502, avait été gratifié de la cure de Nécy, près de Trun, au diocèse de Sées. Ce bénéfice en effet était à la présentation du \nchapitre de Notre-Dame de Rouen et rapportait trois cents livres à son titulaire 7. Celui-ci, comme beaucoup de clercs de cette époque, préférait sans doute à ses ouailles sa stalle de la cathédrale de Rouen. Après la mort de son oncle et son voyage en Palestine, Pierre II Mésenge devint l'un des membres les plus importants du chapitre. Le 18 juin 1509, l'architecte Rouland Le Roux jetait les fondations du portail central à la façade ouest de la cathédrale. Or, en 1511-1512, sous Georges II d'Amboise, lorsqu'on décida d'orner le tympan d'un arbre de Jessé, les chanoines Mésenge et Sandouville furent chargés par leurs confrères de la surveillance des travaux8. Et quand l'architecte résolut de décorer de vingt statues de prélats les ébrasements du portail, notre Mésenge, aussi généreux que bien pourvu d'écus, offrit personnellement une statue \nd'archevêque*. Il devait trépasser en 1621. \n\nDurant leur interminable séjour à Venise, Mésenge et ses amis \nn'eurent pas le loisir de flâner paresseusement. Dévots pèlerins, ils \nse firent un devoir d'assister à plusieurs offices en la basilique \nSaint-Marc. Ils durent aussi parlementer longtemps avec le patron \nCf. Jouen et Fuzel, Comptes, devis et inventaires du Manoir archiépiscopal de \nRouen, Paris et Rouen, 1908. On trouvera une notice sur Pierre I\" Mésenge à la \np. 393. Ce renseignement nous a été communiqué par notre savant ami M. René \nHerval qui, dans son Histoire de Rouen, Rouen, t. I, 1942, p. 242, parle du séjour \nà Rouen du futur Léon X et du rôle que joua alors le chanoine Mésenge. \n7 Nous devons ce détail à M. Xavier Rousseau, secrétaire de la revue Le Pays \nd'Argentan. \n8 Congrès archéologique, 1926, p. 50. \nJouen, La Cathédrale de Rouen, Rouen et Paris, 1932, p. 80. "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42205"},["text","Mésenge, Pierre (…-…). 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Registre KK. 253, fol. 1.) \n\nA Jehan Bonne, maistre des Enfans du Palais de Paris, auquel Monseigneur avoit ordonné estre baillié 6 escuz, qui valent 6 1.15 s. t., lesquelz il avoit donnez pour une foiz, de grâce espécial, aux diz Enfans.... Pour ce. 6 1. 15 s. t.\n\nVOIR\nNan Cooke Carpenter\nThe Study of Music at the University of Paris in the Middle AgesAuthor(s): Nan Cooke Carpenter\nSource: Journal of Research in Music Education, Vol. 2, No. 2 (Autumn, 1954), pp. 119-133Published by: MENC: The National Association for Music EducationStable URL: http://www.jstor.org/stable/3343693 .Accessed: 08/07/2011 10:42\n\nAnd in 1403 the master of the children of the Sainte-Chapelle, Johan- nes Bonne, magister artium, was en- rolled as a student in theology; this beautiful chapel is mentioned again in our records in 1444 when \"Magister Johannes Mortis, cantor of the Sainte- Chapelle of the Royal Palace at Paris\" appears among the doctors of law.29\n\nNOTES : Chartularium\n28Ibid., IV, 110, and note 7. 29Ibid., IV, 82 and 640; and see Pirro, loc. cit., p. 31."]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"42095"},["text","Douët-d’Arcq 1865"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Documents inédits pour servir à l’histoire de France et particulièrement à celle de Bourgogne tirés des archives et de la bibliothèque de Dijon, 3 vol., Dijon, Rabutot, 1864.\n\nLe 23 janvier 1586, est décédé Philippe Berbis, doyen de la Saincte-Chapelle, environ les dix heures du soir; homme fort docte, de bonne vie et asgé d'environ soixante-dix-huict ans, lequel avoit résigné son doyenné à son frère Jacques Berbis, chanoine de ladicte église. Le 28 janvier, fut eslu par scrutin doyen ledict Jacques Berbis, et on fut chercher la voix de M. 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Documents inédits pour servir à l’histoire de France et particulièrement à celle de Bourgogne tirés des archives et de la bibliothèque de Dijon, 3 vol., Dijon, Rabutot, 1864.\n\nM. Christophe Paris, chanoine de la Saincte-Chapelle et curé d'Epagny voulut aller à sa cure le 18, où on se portoit très mal du danger d'épidémie; estant là, par la fréquentation d'aulcuns, en rapporta la peste, de laquelle on ne l'a sçu prévenir ni garder, mais est mort en son logis au couvent de Sainct Estienne, et est enterré au préau de la Saincte-Chapelle.\n\nLe 2 septembre, fut malade en danger de peste la tante de M. 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Ledict Jean Pignorey mourut le 6, et fut enterré au préau du cloistre.\n\nEn octobre, ayant esté asssurément advertis de la reddition de la ville d'Amiens entre les mains du Roy nostre Sire, on a tresellé et chanté le Te Deum à la Saincte-Chapelle, après la fondation de M. l'Amiral, où ont assisté MM. de la Cour, des Comptes et de la ville, attendant le lendemain faire la procession générale ou tirer l'artillerie, et fit-on les\n\n(1) Enfants de chœur ou de la maîtrise de la Sainte-Chapelle.\n\nfeux de joye par la ville. La reddition d'Amiens fut le 26 septembre.\n\nLe 20 octobre, mourut tout soudainement M. Bénigne de Requeleyne, maire de Dijon, frappé d'une apoplexie, à ce qu'on tient, car il estoit en bonne santé environ les trois ou quatre heures après midi, où il fut mandé d'aller parlementer quelques affaires avec M. de Parequon (1), capitaine du chasteau, et M. le baron de Lux, gouverneur pour le Roy au duché. Advint qu'au retour du chasteau ledict maire, estant en son logis, se mit au lit, et rendit l'âme environ les six heures du soir. Tout aussitost la Chambre de ville fut assemblée, et donna-t-on les clefs et charge de maire à M. Bernard Coussin, avocat."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"42022"},["text","Regnault, — (…-…). 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Grisel, 1 écu 1 tiers 5 sous ; – livres : œuvres de Ronsart en 4 livres, 42 sous ; instruction pour les confrères de la confrérie du Saint-Sacrement à Bordeaux, 4 sous ; le carême de Beau-sainis, 11 sous ; les Secrets d’agriculture, à M. Fillastre, avocat, 15 sous ; les œuvres poëtiques de Remy Belleau, 16 sous 6 deniers ; l’Innocence de la Reine d’Écosse, 15 sous ; le dialogue de Tahureau et les disputes de Guillot le porcher et de la Bergère, 5 sous ; prières et méditations par Geoffroy de Villy, 3 sous ; les serinons de Peronnet, 18 sous ; les sermons de Jamet, en 2 volumes, 40 sous ; les homélies de Royal in adventu, 4 sous : chambrier à l’usage de Rouen, 50 sous ; parmi les acheteurs : M. Alexandre, procureur du Roi en la vicomté ; Florence Le Ghalleur, lingère, Jean Goujon, carreleur, 1565. – Nicolas Morel, maître des enfants de chœur, curé de Baulot, décédé, 1597"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41705"},["text","Caron, Pierre (…-8 Dec. 1579). Musician"]]]]]]]],["item",{"itemId":"2610","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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(Liasse.) – 154 pièces, papier. \n1588-1592. – Pièces justificatives du compte de Martin Regnard, grand receveur du chapitre, en ce qui concerne la maîtrise de la cathédrale. – Mandats de payement signés par les chanoines Bunel, Vymont, Sequart, De la Place, Sansson, etc. – Jean Le Pitre, pauvre compagnon chantre, natif de Rheims, expose au chapitre que « depuis 2 ou 3 trois ans en ça, il luy auroit esté besoing, pour n’avoir parents ny amys qui eussent moyen de lui faire aucun advancement, soy pourchasser de toutes parts qu’il auroit pu adviser, a quoy, avec l’ayde des gens de bien, il s’estoit conduit soubz la crainte de Dieu jusques ici et non sans avoir reçeu beaucoup d’incommoditez, pour avoir esté voilé plusieurs foys en divers lieux, comme il fust encore à Fleury, s’acheminant en cette ville, » – Anchelin Gratia et Guillaume Bouvigny, compagnons chantres, demandent à être admis au service de l’église, l’un comme taille, l’autre comme haute-contre : « Pour les ravages provenantz de ces troubles ils ont receu si mauvais traitements au païs de Lorraine que, pour tous moyens, ne leur est resté que la vie sauve, ayant esté réduietz à si grand pauvreté que nécessité les contraint eux pourchasser par les églises comme y ayant esté toujours instruietz et nourris que aussi pour avoir cest heur d’estre proveuz de l’ordre sacerdotal. » – 2 écus sol accordés à Nicolas Morel, maître des enfants de chœur, pour la semaine de récréation.\n\nG. 2821. (Liasse.) – 42 pièces, papier. 1545-1692. – Pièces justificatives des comptes de la fabrique.\n– Inventaire des meubles déposés à la maison des enfants pour leur servir ainsi qu’à leur maître Nicolas Morel ; livres : « Bible en latin, impression de Robert Etienne ; – grand livre, ferré par les 4 coins et parmy couvert de cuir noir, auquel livre de parchemin, donné par feu monsieur le cardinal d’Amboise, sont escriptes plusieurs messes en musique ; – autre grand livre en papier couvert de cuir noir, sur la couverture duquel il y a deux croix dorez d’or auquel sont escriptes à la main plusieurs messes en musique de M. Certon, donnez par M. Ballue, chanoine ; – grand livre en papier contenant plusieurs messes composées par M. Christophe Moralez, imprimé à Lyon par Jacques Modet. » \nG. 2961. (Registre.) – Grand-in-folio, 6 feuillets, parchemin. 1579-1580. – Compte du même pour l’année commençant à la Saint-Michel 1579. – Pierre Caron, maître des enfants de chœur, décédé le 8 décembre, remplacé par Nicolas Morel. – \nG. 3234. (Cahier.) – In-folio, 25 feuillets, papier. 1579-1580. – Compte du distributeur du chœur. – A M. de Ver, chanoine, et garde des bourses des enfants de chœur, pour les 7 psaumes chantés par lesdits enfants, à chacun des obits du Roi, 20 livres. – A Nicolas Morel, maître des dits enfants, pour les méreaux de l’offertoire de la fête du Saint-Sacrement, 23 sous 3 deniers.\nG. 3464. (Liasse.) – 78 pièces, papier. 1565-1761. – Inventaires, ventes, distributions de deniers et autres actes concernant la juridiction des testats et intestats après le décès des officiers ecclésiastiques du chapitre. – … Nicolas Morel, maître des enfants de chœur, curé de Baulot, décédé, 1597\nG. 4850. (Liasse.) – 53 pièces, parchemin ; 33 pièces, papier. 1454-1765. – Titres de rentes ayant appartenu aux chapelains du collège du Saint-Esprit, et qui depuis longtemps, pour la plupart, avaient été amorties, ou étaient tombées en non valeur. – Mention de maître Jean Duhamel, chantre ordinaire de la chapelle de musique du Roi, chapelain du collège du Saint-Esprit, et de maître Nicolas Morel, maître des \nenfants de chœur, 1581.\n\nNG2\nNicholas (or Nicolas) Morel (b Rouen, ?c1550) was maître des enfants de choeur at Rouen Cathedral. In 1584 at the Puy de Musique at Evreux he received a silver lyre for his chanson Je porte en mon bouquet; two years later he was awarded a silver lute for his D'ou vient belle. Both these works are now lost. (FétisB; Vander StraetenMPB, i, vii, viii)\nJANE A. BERNSTEIN\n\nIL N’EST DONC PAS:\nDocuments du Minutier central concernant l'histoire de la musique ...Archives nationales (France), Madeleine Jurgens - 1968 - Extraits\nVoir : Denis Tabart, chantre de la chapelle de musique du roi, p. 118. VI, 172. Nicolas MOREL. 1602, 17 septembre. — Procuration en faveur de Nicolas Morel, sous-maître de la chapelle de musique du roi ...\n\nRecherches sur la musique française classique\nNorbert Dufourcq, Marcelle Benoit - 1983 - 188 pages - Extraits\n... et Nicolas Morel. Du Caurroy assure les quatre mois de septembre, octobre, novembre et décembre. En 1604, Nicolas Morel meurt. ... Étienne Le Roy, chantre réputé, « prestre, sous-maître de la Chapelle du Roi », a été pourvu .."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41686"},["text","Morel, Nicolas (…-…). Composer; Musician"]]]]]]]],["item",{"itemId":"2609","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41668"},["text","CESR_person_03609"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41670"},["text","Magdelain"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41671"},["text","Simon"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41672"},["text","Simon Magdelain"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41673"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41674"},["text","Role_001 "]],["elementText",{"elementTextId":"41675"},["text"," Role_019"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41676"},["text","Musician "]],["elementText",{"elementTextId":"41677"},["text"," Organist"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41678"},["text","1524"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41679"},["text","1524"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41680"},["text","Cities_Standardized_0552"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41681"},["text","Rouen"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41682"},["text","Institution_0065"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41683"},["text","Cathédrale de Rouen"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41684"},["text","F-AD76, G. 2628. (Liasse.) – 1 pièce, parchemin; 39 pièces, papier. \n1505-1524. – Quelques pièces justificatives des comptes de la fabrique. – Le chapitre est \nimposé à 12 livres 10 sous par semaine pour la subsistance des pauvres mendiants valides, ne fame \npereant, 1524. – Jean Masselin, curé de Biville-en-Caux, exécuteur, avec Auber, du testament de \nfeu Simon Magdelain, organiste de Notre-Dame. \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41669"},["text","Magdelain, Simon (…-…). Musician; Organist"]]]]]]]],["item",{"itemId":"2608","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41651"},["text","CESR_person_03608"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41653"},["text","Labbé"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41654"},["text","Guillaume"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41655"},["text","Guillaume Labbé"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41656"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41657"},["text","Role_037 "]],["elementText",{"elementTextId":"41658"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41659"},["text","Master of choirboys "]],["elementText",{"elementTextId":"41660"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41661"},["text","1555"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41662"},["text","1559"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41663"},["text","Cities_Standardized_0552"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41664"},["text","Rouen"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41665"},["text","Institution_0065"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41666"},["text","Cathédrale de Rouen"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"41667"},["text","F-AD76, G. 2551. (Registre.) – In-folio, 68 feuillets, papier. \n1555-1556. – Compte du même, de la Saint-Michel 1555 à la Saint-Michel 1556. – Montcuyt, organiste aux gages de 40 livres\nde Guillaume Labbé, maître des enfants de chœur ; – \n\nG. 2552. (Registre.) – In-folio, 73 feuillets, papier. \n1556-1557. – Compte du même, de la Saint-Michel 1556 à la Saint-Michel 1557. – \nGuillaume Labbé, maître des enfants de chœur. – \n\nG. 2553. (Registre.) – In-folio, 79 feuillets, papier. \n1557-1558. – Compte du même, de la Saint-Michel 1557 à la Saint-Michel 1558. – \nA Guillaume Labbé, maître des enfants de chœur, pour avoir composé les \ntables de Pâques et de la Trinité envoyées aux doyens, 50 sous. – \nCompte signé par Nagerel, De la Place, Du Fay, Canterel, Romé, Dumesnil et par Montcuyt. \n\nG. 2554. (Registre.) – In-folio, 81 feuillets, papier. \n1558-1559. – Compte du même, de la Saint-Michel 1558 à la Saint-Michel 1559. – Guillaume Labbé, maître des enfants de chœur. –\n\nG. 2555. (Registre.) – In-folio, 69 feuillets, papier. \n1559-1560. – Compte de Michel Mallet, procureur de la fabrique, de la Saint-Michel 1559 à la Saint-Michel 1560. – Guillaume Montcuyt, organiste, aux gages de 40 livres. –"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41652"},["text","Labbé, Guillaume (…-…). 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(Registre.) – In-folio, 82 feuillets, papier. \n1548-1549. – Compte du même, de la Saint-Michel 1548 à la Saint-Michel 1549. – \nGuillaume Montcuyt, organiste … « A Robert Du Fay, chanoine, pour ung livre faict en chant de musique pour les enfants de chœur, 4 livres 10 sous. »\n…\nCompte signé par Gombault, de Croismare, De la Place, Romé, Du Fay, Le Seneschal."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"41635"},["text","Du Fay, Robert (…-…). Music copyist; Musician"]]]]]]]]]