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Enregistré comme maître du Puy d’Amiens en 1475, chapelain vicariale de Sainte-Martin-au-Bourg. Il vivait encore en 1483. Leroy 1908, 660."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36686"},["text","Beugier, Jean (…-…). Musician; Singer"]]]]]]]],["item",{"itemId":"2359","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Records from Lille show that a certain François Bourguignon, countertenor (haute-contre), travelled from Flanders to Madrid in 1542 to join the imperial chapel of Charles V. \n\nTome VII\nLa musique aux Pays-Bas avant le XIXe siècle, Volume 4‎ - Page 357\n1969\nIncontinent, quatre autres sopranos furent dépêchés à Madrid, en compagnie d'une haute-contre, François Bourguignon, d'une taille, Pierre Brabant, ...\nAffichage d'extraits\n\n \nRenaissance music, Volume 1‎ - Page 211\nRosand - 1985 - 424 pages\n1969). pp 64-7 • François Bourguignon was the haute-contre recruited for the service of Charles V in 1542 by Rogier Pathie and dispatched to Madrid with a\n...\nAffichage d'extraits "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36703"},["text","Bourguignon, François ? (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2360","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36725"},["text","CESR_person_03360"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36727"},["text","Boyvin"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36728"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36729"},["text","Jean Boyvin"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36730"},["text","Boivin"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36731"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36732"},["text","Role_017 "]],["elementText",{"elementTextId":"36733"},["text"," Role_025 "]],["elementText",{"elementTextId":"36734"},["text"," Role_002 "]],["elementText",{"elementTextId":"36735"},["text"," Role_013 "]],["elementText",{"elementTextId":"36736"},["text"," Role_001 "]],["elementText",{"elementTextId":"36737"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36738"},["text","Basse taille "]],["elementText",{"elementTextId":"36739"},["text"," Bassus "]],["elementText",{"elementTextId":"36740"},["text"," Composer (no known polyphonic works preserved) "]],["elementText",{"elementTextId":"36741"},["text"," Employee of a court chapel (musician) "]],["elementText",{"elementTextId":"36742"},["text"," Known voice range "]],["elementText",{"elementTextId":"36743"},["text"," Musician "]],["elementText",{"elementTextId":"36744"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36745"},["text","1539"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36746"},["text","1539"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36747"},["text","Institution_0115"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36748"},["text","Chapelle royale de France"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36749"},["text","Voir Dictionnaire\n\n=  Boyvin (attr.)* ?\n\nNG2 Fétis identified the composer with Jean Boyvin, a singer (basse-taille) in the chapel of the dauphin, Duke Henri of Orléans, in 1539; he might, however, be identified with Anthoine Boyvin who was organist to Henri in 1543. Most of the chansons use courtly decasyllabic épigrammes of eight or ten lines, and the musical settings faithfully reflect the poetic form with regular caesuras after the fourth syllable. Their style is generally suave and homophonic and akin to that of Sandrin. Two, Je sens l'affection and Je cherche autant amour (both ed. in SCC, ix, 1994), became favourites and were reprinted and intabulated for guitar and lute several times. Another, Mort sans soleil (ed. F. Lesure, Anthologie de la chanson parisienne, Monaco, 1953), sets Marot's translation of Petrarch's Lasciato hai morte, and represents one of the first complete sonnet settings in France.\nBIBLIOGRAPHY\nBrownI\nFétisB\nD. Heartz: Pierre Attaingnant, Royal Printer of Music (Berkeley, 1969)\nFRANK DOBBINS"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36726"},["text","Boyvin, Jean (…-…). Composer; Musician; Singer"]]]]]]]],["item",{"itemId":"2361","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36750"},["text","CESR_person_03361"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36752"},["text","Boyvin"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36753"},["text","Antoine"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36754"},["text","Antoine Boyvin"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36755"},["text","Boivin"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36756"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36757"},["text","Role_025 "]],["elementText",{"elementTextId":"36758"},["text"," Role_001 "]],["elementText",{"elementTextId":"36759"},["text"," Role_019"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36760"},["text","Composer (no known polyphonic works preserved) "]],["elementText",{"elementTextId":"36761"},["text"," Musician "]],["elementText",{"elementTextId":"36762"},["text"," Organist"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36763"},["text","1543"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36764"},["text","1543"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36765"},["text","Institution_0115"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36766"},["text","Chapelle royale de France"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36767"},["text","Voir Dictionnaire\n\n=  Boyvin (attr.)* ?\n\nNG2 Anthoine Boyvin who was organist to Henri in 1543.\nFRANK DOBBINS"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36751"},["text","Boyvin, Antoine (…-…). Composer; Musician; Organist"]]]]]]]],["item",{"itemId":"2362","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36768"},["text","CESR_person_03362"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36770"},["text","Bissart"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36771"},["text","Tallin"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36772"},["text","Tallin Bissart"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36773"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36774"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36775"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36776"},["text","1511"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36777"},["text","1511"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36778"},["text","Cities_Standardized_0580"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36779"},["text","Sens"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36780"},["text","Institution_0071"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36781"},["text","Cathédrale de Sens"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36782"},["text","Cherest 1853, p. 71-73 : cathédrale de Sens\nOn lit, pour la première fois, dans le compte de 1501, cette phrase qui, prise isolément, parait inintelligible : « A messire » Jehan Cousin, pour les enffans, le jour des Innocents, affin » qu'ils n'allassent parmi le marché, 10 st. » — En 1504-1505, la mention devient plus explicite. « A maistre Jehan Thion » maistre des enfants de cueur a este payé par l'ordonnance de » messeigneurs pour le droit que les enfans dient avoir au mar» ché qui se tient deux fois devant Saint Estienne durant les ad» vents de Noël, affin que les dits enfans ny aillent plus, pour » ce 10 s. t. » Dans les comptes suivants, cette dépense, d'abord classée parmi les dépenses extraordinaires, figure au chapitre des dépenses habituelles. Enfin le compte de 1508-1509 s'exprime dans ces ternies : « Au maistre des enffans d'aulbe a este » payé pour le droit que les dits enffans dyent avoir sur le mar» ché qui se tient devant Saint-Estienne pendant les advents de » Noël, affin qu'ils n'y allent plus, messeigneurs leurs ont or» donné estre baillé chaecun an 10s. t. pourceicy — 10s. t.» — Et en effet chaque année, le chambrier solde aux enfants ou à leur maître la somme ainsi concédée.\n\nLes vicaires furent moins habiles ou moins heureux. Ils restèrent livrés à leurs propres ressources: et le Chapitre n'intervint dans leurs fêtes que pour en proscrire les abus les plus graves. De là, plusieurs décisions capitulaires, conservées dans le manuscrit de Baluze, et que nous publierons ici en les annotant.\n\n« Veneris 5 decembris 1511.\n\n» Conclueum fuit in capitulo festum quod dicitur stultomm, » die circumcisionis Domini fieri solilum, pro hoc anno omnino » prsetermitti, et domino Tallino Bissart presbitero, prcecentori » dictorum stultorum, exhibitiones fieri, sub pœna exconnmini» cationis et privationis sui beneficii et jurium et pannorum ec» clesiaî, accuilibet etiam vicariorum, ne a cstero habeat facere » quovis modo aliquas insolentias, tarn de die quam de nocte, » faciendo tondere barbam parte, ut fieri consuevit, in theatro... » ac ludere personagia, die scilicet circumcisionis Domini. Qui » quidem Bissart in prsesentiâ dominorum viva voce monitus » fuit per D. Decanum de omnibus praescriptis, présente Tus» sano Depineau et Aegidio Bergier clericis. »\n\n« Mercurii ultima decembris.\n\n» Permissum est vicariis et habituatis ecclesise celebrare et » facere servitium divinum infesto circumcisionis Domini, prout » et quemadmodum antiquitus in eadem ecclesia fieri et decan» tari consuerit. »\n\nII y a dans ces quelques lignes une foule d'indications précieuses et qu'un bref examen suffira pour mettre en lumière. Vent-on de nouvelles preuves que l'office delà Circoncision composé par Pierre de Corbeil n'a rien à démêler avec les excès de la fête des Fous? On voit que le Chapitre condamne ces excès par une première résolution, et qu'il permet ensuite aux vicaires et aux habitués de célébrer le service divin : Prout et quemadmodum antiquitus in eadem ecclesia fieri et decantiari consuerit. C'est la répétition, en d'autres termes, de ce qui avait été arrêté en 1444 : Diclum servitium fiet prout jacet in libro ipsius servitii. Evidemment la pensée du Chapitre est la même dans les deux cas. C'est la même oeuvre qu'il s'efforce de faire revivre et le mot decantari employé dans la dernière, délibération, en rappelant le caractère musical de cette œuvre, ne laisse aucune prise à la controverse.\n\nHésite-t-on à se convaincre que, dans les usages sénonais, les fonctions de préchantre des Fous constituassent une distinction durable et recherchée ? Nous trouvons qu'en 1551 ces fonctions étaient occupées par un prêtre, Tallin Bissard, qui, bien que prêtre, D'avait pas dédaigné les suffrages d'humbles vicaires : et nonseulement il les exerce le jour solennel delà Circoncision : il les conserve jusqu'au 5 décembre, puisqu'à cette date le Chapitre s'adresse à lui pour transmettre aux Fous ses conseils ou ses ordres\n\nBulletin de la Société des sciences historiques et naturelles de l'Yonne‎ - Page 72\nSociété des sciences historiques et naturelles de l'Yonne - 1853\nEnfin le compte de 1 508-1 509 s'exprime dans ces termes : « Au maistre des\nenffans ...\nAffichage du livre entier "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Cité par le cpte de la chambre de 1501 puis par le cpte de la cloîtrerie encore en 1523 (F-AD 89, G 799, “maistre Jehan Cousin”). C’est aussi le nom de l’éditeur du bréviaire de Sens imprimé en 1552 qui mourut chanoine en 1572. La famille Cousin étant fort nombreuse, il faudra identifier lequel de ses membres fut maître des enfants.\n\nCherest 1853, p. 71-73 : cathédrale de Sens\nOn lit, pour la première fois, dans le compte de 1501, cette phrase qui, prise isolément, parait inintelligible : « A messire » Jehan Cousin, pour les enffans, le jour des Innocents, affin » qu'ils n'allassent parmi le marché, 10 st. » — En 1504-1505, la mention devient plus explicite. « A maistre Jehan Thion » maistre des enfants de cueur a este payé par l'ordonnance de » messeigneurs pour le droit que les enfans dient avoir au mar» ché qui se tient deux fois devant Saint Estienne durant les ad» vents de Noël, affin que les dits enfans ny aillent plus, pour » ce 10 s. t. » Dans les comptes suivants, cette dépense, d'abord classée parmi les dépenses extraordinaires, figure au chapitre des dépenses habituelles. Enfin le compte de 1508-1509 s'exprime dans ces ternies : « Au maistre des enffans d'aulbe a este » payé pour le droit que les dits enffans dyent avoir sur le mar» ché qui se tient devant Saint-Estienne pendant les advents de » Noël, affin qu'ils n'y allent plus, messeigneurs leurs ont or» donné estre baillé chaecun an 10s. t. pourceicy — 10s. t.» — Et en effet chaque année, le chambrier solde aux enfants ou à leur maître la somme ainsi concédée.\n\nLes vicaires furent moins habiles ou moins heureux. Ils restèrent livrés à leurs propres ressources: et le Chapitre n'intervint dans leurs fêtes que pour en proscrire les abus les plus graves. De là, plusieurs décisions capitulaires, conservées dans le manuscrit de Baluze, et que nous publierons ici en les annotant.\n\n« Veneris 5 decembris 1511.\n\n» Conclueum fuit in capitulo festum quod dicitur stultomm, » die circumcisionis Domini fieri solilum, pro hoc anno omnino » prsetermitti, et domino Tallino Bissart presbitero, prcecentori » dictorum stultorum, exhibitiones fieri, sub pœna exconnmini» cationis et privationis sui beneficii et jurium et pannorum ec» clesiaî, accuilibet etiam vicariorum, ne a cstero habeat facere » quovis modo aliquas insolentias, tarn de die quam de nocte, » faciendo tondere barbam parte, ut fieri consuevit, in theatro... » ac ludere personagia, die scilicet circumcisionis Domini. Qui » quidem Bissart in prsesentiâ dominorum viva voce monitus » fuit per D. Decanum de omnibus praescriptis, présente Tus» sano Depineau et Aegidio Bergier clericis. »\n\n« Mercurii ultima decembris.\n\n» Permissum est vicariis et habituatis ecclesise celebrare et » facere servitium divinum infesto circumcisionis Domini, prout » et quemadmodum antiquitus in eadem ecclesia fieri et decan» tari consuerit. »\n\nII y a dans ces quelques lignes une foule d'indications précieuses et qu'un bref examen suffira pour mettre en lumière. Vent-on de nouvelles preuves que l'office delà Circoncision composé par Pierre de Corbeil n'a rien à démêler avec les excès de la fête des Fous? On voit que le Chapitre condamne ces excès par une première résolution, et qu'il permet ensuite aux vicaires et aux habitués de célébrer le service divin : Prout et quemadmodum antiquitus in eadem ecclesia fieri et decantiari consuerit. C'est la répétition, en d'autres termes, de ce qui avait été arrêté en 1444 : Diclum servitium fiet prout jacet in libro ipsius servitii. Evidemment la pensée du Chapitre est la même dans les deux cas. C'est la même oeuvre qu'il s'efforce de faire revivre et le mot decantari employé dans la dernière, délibération, en rappelant le caractère musical de cette œuvre, ne laisse aucune prise à la controverse.\n\nHésite-t-on à se convaincre que, dans les usages sénonais, les fonctions de préchantre des Fous constituassent une distinction durable et recherchée ? Nous trouvons qu'en 1551 ces fonctions étaient occupées par un prêtre, Tallin Bissard, qui, bien que prêtre, D'avait pas dédaigné les suffrages d'humbles vicaires : et nonseulement il les exerce le jour solennel delà Circoncision : il les conserve jusqu'au 5 décembre, puisqu'à cette date le Chapitre s'adresse à lui pour transmettre aux Fous ses conseils ou ses ordres\n\nBulletin de la Société des sciences historiques et naturelles de l'Yonne‎ - Page 72\nSociété des sciences historiques et naturelles de l'Yonne - 1853\nEnfin le compte de 1 508-1 509 s'exprime dans ces termes : « Au maistre des enffans ...\nAffichage du livre entier "]]]],["element",{"elementId":"36"},["name","Bibliography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36800"},["text","Inventaire F-AD89-G"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36784"},["text","Cousin, Jean (…-…). Musician"]]]]]]]],["item",{"itemId":"2364","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36801"},["text","CESR_person_03364"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36803"},["text","Thion"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36804"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36805"},["text","Jean Thion"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36806"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36807"},["text","Role_037 "]],["elementText",{"elementTextId":"36808"},["text"," Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36809"},["text","Master of choirboys "]],["elementText",{"elementTextId":"36810"},["text"," Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36811"},["text","1505"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36812"},["text","1505"]]]],["element",{"elementId":"76"},["name","Cities_Standardized_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36813"},["text","Cities_Standardized_0580"]]]],["element",{"elementId":"77"},["name","Workplace"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36814"},["text","Sens"]]]],["element",{"elementId":"78"},["name","Institution_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36815"},["text","Institution_0071"]]]],["element",{"elementId":"79"},["name","Institution"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36816"},["text","Cathédrale de Sens"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36817"},["text","Cherest 1853, p. 71-73 : cathédrale de Sens\nOn lit, pour la première fois, dans le compte de 1501, cette phrase qui, prise isolément, parait inintelligible : « A messire » Jehan Cousin, pour les enffans, le jour des Innocents, affin » qu'ils n'allassent parmi le marché, 10 st. » — En 1504-1505, la mention devient plus explicite. « A maistre Jehan Thion » maistre des enfants de cueur a este payé par l'ordonnance de » messeigneurs pour le droit que les enfans dient avoir au mar» ché qui se tient deux fois devant Saint Estienne durant les ad» vents de Noël, affin que les dits enfans ny aillent plus, pour » ce 10 s. t. » Dans les comptes suivants, cette dépense, d'abord classée parmi les dépenses extraordinaires, figure au chapitre des dépenses habituelles. Enfin le compte de 1508-1509 s'exprime dans ces ternies : « Au maistre des enffans d'aulbe a este » payé pour le droit que les dits enffans dyent avoir sur le mar» ché qui se tient devant Saint-Estienne pendant les advents de » Noël, affin qu'ils n'y allent plus, messeigneurs leurs ont or» donné estre baillé chaecun an 10s. t. pourceicy — 10s. t.» — Et en effet chaque année, le chambrier solde aux enfants ou à leur maître la somme ainsi concédée.\n\nLes vicaires furent moins habiles ou moins heureux. Ils restèrent livrés à leurs propres ressources: et le Chapitre n'intervint dans leurs fêtes que pour en proscrire les abus les plus graves. De là, plusieurs décisions capitulaires, conservées dans le manuscrit de Baluze, et que nous publierons ici en les annotant.\n\n« Veneris 5 decembris 1511.\n\n» Conclueum fuit in capitulo festum quod dicitur stultomm, » die circumcisionis Domini fieri solilum, pro hoc anno omnino » prsetermitti, et domino Tallino Bissart presbitero, prcecentori » dictorum stultorum, exhibitiones fieri, sub pœna exconnmini» cationis et privationis sui beneficii et jurium et pannorum ec» clesiaî, accuilibet etiam vicariorum, ne a cstero habeat facere » quovis modo aliquas insolentias, tarn de die quam de nocte, » faciendo tondere barbam parte, ut fieri consuevit, in theatro... » ac ludere personagia, die scilicet circumcisionis Domini. Qui » quidem Bissart in prsesentiâ dominorum viva voce monitus » fuit per D. Decanum de omnibus praescriptis, présente Tus» sano Depineau et Aegidio Bergier clericis. »\n\n« Mercurii ultima decembris.\n\n» Permissum est vicariis et habituatis ecclesise celebrare et » facere servitium divinum infesto circumcisionis Domini, prout » et quemadmodum antiquitus in eadem ecclesia fieri et decan» tari consuerit. »\n\nII y a dans ces quelques lignes une foule d'indications précieuses et qu'un bref examen suffira pour mettre en lumière. Vent-on de nouvelles preuves que l'office delà Circoncision composé par Pierre de Corbeil n'a rien à démêler avec les excès de la fête des Fous? On voit que le Chapitre condamne ces excès par une première résolution, et qu'il permet ensuite aux vicaires et aux habitués de célébrer le service divin : Prout et quemadmodum antiquitus in eadem ecclesia fieri et decantiari consuerit. C'est la répétition, en d'autres termes, de ce qui avait été arrêté en 1444 : Diclum servitium fiet prout jacet in libro ipsius servitii. Evidemment la pensée du Chapitre est la même dans les deux cas. C'est la même oeuvre qu'il s'efforce de faire revivre et le mot decantari employé dans la dernière, délibération, en rappelant le caractère musical de cette œuvre, ne laisse aucune prise à la controverse.\n\nHésite-t-on à se convaincre que, dans les usages sénonais, les fonctions de préchantre des Fous constituassent une distinction durable et recherchée ? Nous trouvons qu'en 1551 ces fonctions étaient occupées par un prêtre, Tallin Bissard, qui, bien que prêtre, D'avait pas dédaigné les suffrages d'humbles vicaires : et nonseulement il les exerce le jour solennel delà Circoncision : il les conserve jusqu'au 5 décembre, puisqu'à cette date le Chapitre s'adresse à lui pour transmettre aux Fous ses conseils ou ses ordres\n\nBulletin de la Société des sciences historiques et naturelles de l'Yonne‎ - Page 72\nSociété des sciences historiques et naturelles de l'Yonne - 1853\nEnfin le compte de 1 508-1 509 s'exprime dans ces termes : « Au maistre des\nenffans ...\nAffichage du livre entier "]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36802"},["text","Thion, Jean (…-…). Musician"]]]]]]]],["item",{"itemId":"2365","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36818"},["text","CESR_person_03365"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36820"},["text","Vigoureux"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36821"},["text","Jean"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36822"},["text","Jean Vigoureux"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36823"},["text","Male"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36824"},["text","1511"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36825"},["text","1511"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36826"},["text","L'Hôtel-Dieu de Paris au moyen âge: histoire et documents, Volume 1‎ - Page 28\nErnest Louis Noël Joseph Coyecque, Notre-Dame de Paris (Cathedral) - 1891\nc A m' Jehan Vigoureux, maistre des enffans de cueur, CXH sp > (Ibid., XXI, 7?5.\n) — c Dit qu'il est subgect au service, non pas comme les ...\nAffichage d'extraits \n\nCité vol. 1 p. 28 en note, mais ss date\n\ncollection de documents pour servir a lhistoire des hopitaux de paris\n1883 - Extraits\nA messire Jehan Vigoureux, maistre des\n\nInventaire des archives hospitalières 1884 précise qu’il enseigne la grammaire"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36819"},["text","Vigoureux, Jean (…-…)"]]]]]]]],["item",{"itemId":"2366","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Ins. le 13 nov. 1582. \n\n[Y 124 f° 332* \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36837"},["text","Batifié, Claude (…-…). Musician"]]]]]]]],["item",{"itemId":"2368","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Jehan Chevallot; à Jehan Chevallot le jeune et à Claude Chevallot frèr e \ndudict Jehan Chevallot donateur; \n\nDe tousses biens droictz successifs qui luy pourraient revenir par les decedz de defïunctz \nJehan Chevallot vivant marchand bourgeois de Paris et Etiennette Muret ses père et mère. \n\n3 sept. 1576. Ins. le 5 sept. 1576. \n[Y 117 f<> 381. \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36848"},["text","Chevallot, Jean (…-…). Musician"]]]]]]]],["item",{"itemId":"2369","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36871"},["text","Le Ber, Richard (…-…). Musician"]]]]]]]],["item",{"itemId":"2371","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36881"},["text","CESR_person_03371"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36883"},["text","Roumenilles (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36884"},["text","Pierre"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36885"},["text","Pierre de Roumenilles"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36886"},["text","Romenelles "]],["elementText",{"elementTextId":"36887"},["text"," Rommenelles "]],["elementText",{"elementTextId":"36888"},["text"," Romanelles"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36889"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36890"},["text","Role_001"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36891"},["text","Musician"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36892"},["text","1587"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36893"},["text","1587"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36894"},["text","Clerc de la Sainte-Chapelle de Paris en 1571, déjà chantre de la chapelle de Catherine de Médicis en 1563 d’après un acte du 26 février 1563, où il est appelé « Pierre de Roumenille, chantre de la Royne mère du Roy ». Il figure dans les états de la maison de Catherine de Médicis, un état non daté entre 1580 et 1585, des états de 1585 et 1587. En ce qui concerne Henri III, il figure dans la liste des chanteurs de 1586 et la liste des requêtes de 1587 (Brooks 2000).\n\nActes d'état civil de musiciens insinués au Châtelet de Paris (1907)\nEcorcheville, Jules, 1872-1915, ed\nEcorcheville 1907, p. 90-91\n\nROUMENILLE (Pierre de). — Pardevant Cleophaz Peron et Jacques Filesac notaires, donation entre vifs par : \nM* Pierre de Roumenille chantre de la Royne mère du Roy : \nA noble homme Denis de Roumenille son frère Conseiller du Roy secrétaire des maisons et Couronne de France et des Finaces de Sa Majesté ; \nDe tous les biens meubles & immeubles qui luy peuvent eschoir par le trespas et succession de deffunct Jehan de Roumenilles, vivant marchand demeurant à Prouvins et de Denise Branche leur père & mère, après partage avec ses autres frères & sœurs \n\n26 février 1563- 1ns. le 4 juing 1565. \n[Y ni f D 102. \n\nROMANELLES, Pierre de \nCe chantre haute-contre de la chapelle de la reine Catherine de Médicis et la chapelle royale de Henri III et Henri IV détint une prébende de chanoine de la collégiale de Saint-Quentin à partir de 1574 au moins. Etant, il n’y réside pas et est en conflit avec le chapitre de la collégiale. On en possède des traces jusqu’en 1599 dans les archives départementales de l’Aisne (Le Moël 1966 p. 12). Maître Pierre de Romanelles fait aussi un bref passage à la Sainte-Chapelle de Paris en 1571 (Brenet 1910 p. 120).\nUn acte notarial daté du 26 février 1563 qualifie Pierre de Romanelles de « chantre de la Reyne mère du roy » (Ecorcheville 1907 p. 90). Il figure dans des états de maison de Catherine de Médicis entre 1580 et 1585 et l’état de chapelle de 1585 et dans la liste des chantres et officiers de Henri III non datée entre 1585 et 1589 (Brooks 2000 p. 407, 409, 411, 523, 524) et dans un état de maison d’Henri IV de 1595 (Le Moël 1966 p. 12).\n\nBrenet 1910\nBrooks 2000\nLe Moël 1966\n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Lafaist, Jean Louis Félix Danjou - 1836\n\nCompte des dépenses de Charles IX\n\n7 octobre 1572. — A Anthoine Poulliere, maistre des enffans de l'église collégiale de Sainct-Cloud lès Paris, la somme de 37 livres 10 sols tourn., en considération de ce qu'il a instruit en la musicque un jeune enffant que Sa Majesté auroit naguères faict tirer de dessoubz luy pour s'en servir avec ses autres petits chantres de musicque et pour luy donner occasion de continuer à l'endroit des autres petits chantres et enfans qu'il a soubz ' sa charge."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Mais en ceste dite année v.c et xix fut cogneu et confessé en l'ostel du doien par celle inhumaigne et cruelle femme, qui se pendist en celle meisme année, qu'elle l'avoit tué et puis l'avoit pendu au dit laignier en la grainge; par quoy les amis du dit jonne clerc demourant à Gouxe vindrent quèrir le corps du dit leur parent et l'emmenèrent à Gouxe et là fut enterré en terre saincte et son service fait et fut ce fait à jour de st Thomas et l'an dessus dit."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36907"},["text","—, Andrieu (…-…). 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(Michel de), maistre des enfans de Chœur de l'Eglise saint Maur des Fossés lez Paris. Nouvelle Instruction familière, Paris, 1558...\nAffichage d'extraits"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36920"},["text","Menehou (de), Michel (…-…). Music theorist; Musician"]]]]]]]],["item",{"itemId":"2375","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Maître de psallette de l’église de Mans, vivait en 1584, né au Mans. Th. Cauvin, Essai sur la statistique de Département de la Sarthe (Le Mans : Monnoyer, 1834), p. 92."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36948"},["text","Gendron, Thomas (…-…). Chapelmaster; Musician"]]]]]]]],["item",{"itemId":"2377","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1"},["text","Person"]]]]]]]],["itemType",{"itemTypeId":"19"},["name","PersonChantres"],["description"],["elementContainer",["element",{"elementId":"52"},["name","CESR_person_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36962"},["text","CESR_person_03377"]]]],["element",{"elementId":"53"},["name","Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36964"},["text","Lorey (de)"]]]],["element",{"elementId":"54"},["name","Given Name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36965"},["text","Andrieu"]]]],["element",{"elementId":"55"},["name","Given Name Surname"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36966"},["text","Andrieu de Lorey"]]]],["element",{"elementId":"56"},["name","Variant name"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36967"},["text","André"]]]],["element",{"elementId":"57"},["name","Gender"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36968"},["text","Male"]]]],["element",{"elementId":"69"},["name","Role_ID"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36969"},["text","Role_018 "]],["elementText",{"elementTextId":"36970"},["text"," Role_037 "]],["elementText",{"elementTextId":"36971"},["text"," Role_001 "]],["elementText",{"elementTextId":"36972"},["text"," Role_012"]]]],["element",{"elementId":"70"},["name","Role"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36973"},["text","Choirboy "]],["elementText",{"elementTextId":"36974"},["text"," Master of choirboys "]],["elementText",{"elementTextId":"36975"},["text"," Musician "]],["elementText",{"elementTextId":"36976"},["text"," Singer"]]]],["element",{"elementId":"72"},["name","Period of activity (beginning) Start"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36977"},["text","1494"]]]],["element",{"elementId":"74"},["name","Period of activity (ending) Qualif"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36978"},["text","1519"]]]],["element",{"elementId":"80"},["name","Biography"],["description"],["elementTextContainer",["elementText",{"elementTextId":"36979"},["text","Fils de Jean de Lorey, décrit comme « jonne enffant » en 1494 (Chronique de Metz, p. 602-603) : « Le diemanche, onziesme jour de novembre [1494], à heure de matine, en la grande eglise de Mets, furent prins et desrobez deux enffans de cueur, et furent subitement emportés, tellement que on ne sçavoit par qui ne comment. Et incontinent que les trese en furent advertis, ilz firent clore les portes et deffendre par les barres que on ne laissait personne aller dehors sans licence de justice. Et tantost apres, à neuf heures, on fist ung huchement sur la pierre devant la grant eglise que nul ne les soustint, et que si aulcuns sçavoient où ilz estoient, qu’ilz le vinssent dire et anoncier à justice, sus peine d’estre acquis de corps et de biens. Et incontinent, à heure de midi, fut, pour ledit fait, apprehendé ung prestre qui se tenoit à Sainct Vincent, qui avoit esté magister des moines, et mené en l’hostel du doyen de la cité par deux sergens des trese. Et tantost, les officiers de l’evesque de Mets, assavoir, maistre Henry de Mortfontaine, vicaire, seigr Mathis de Thehecourt, official, et seigneur Hannès Thisse, scelleur, requeront à nosseigneurs les trese que ledit prestre leur fust delivré. Et, le londemain, à heure de dix devant midi, ledit prestre fut delivré audit official devant la court l’evesque par seigneur Jehan le Gournais, trese, à ce coinis par ses compaignons trese. Ledit diemanche, apres le huchement fait, lesdits enffans furent trouvés en l’hostel d’ung appellé Didiet, le Lorain, en St Vincentrue: pour laquelle chose, ledit Dediet et sa femme s’en fuyrent aux Cairmes : aussy fist ung appellé Thirion, le corrier, de Saulnerie, qui estoit pere à l’ung desdits enffans ; et ung appellé Jehan Cunin, demeurant devant St Vincent, et le pere de l’aultre enffant, appellé Jehan de Lorey, de Franconrue, et sa femme furent mis en l’hostel du doyen des prisonniers. Le quinziesme jour de novembre, fut aussi prins ung clerc, serviteur de l’abbé de St Vincent et amené en l’hostel du doyen, pour- [603] tant qu’il estoit suspicionné de sçavoir aulcune chose de la prinse desdits enffans. Et durait la chose ainsy jusques au vingt sixiesme jour de novembre, auquel jour furent delivrés les dessusdits des prisons du doyen, assavoir, le devantdit maistre Estienne et ledit Jehan de Lorey et sa femme, pere et mere au jonne enffant Andrieu, lequel depuis ait esté moult longuement maistre des enffans de cueur d’ycelle grande eglise. Et furent lesdits enffans remis ez mains du maistre organiste de la grant eglise, leur maistre. Et ung peu de temps apres, les aultres, cy devant nommez, qui estoient fuys aux Cairmes, furent delivrez et tous pugnis de somme d’argent et bannissement. » \n\nMetz, cathédrale, 1517-1519. Comme maître des enfants en 1517, Andrieu de Lorey était impliqué dans un autre affaire tragique; selon le Chronique de Metz (p. 714): « En ce meisme temps, avint une esclandre en Mets d’ung josne clerc que on trouvait pendu et estranglé. La maniere comment ; il avoit son oncle chainoine de la grant eglise de Mets, nommé messire Gille. Celluy, demi an devant, s’estoit parti de Mets pour s’en aller à Rome avec le princier d’icelle eglise et avoit laissé son nepveux en gairde à maistre Andrieu, maistre des enffans de cueur, pour le gouverner, aprendre et entretenir jusques à son retour. Ce gairson, eaigé environ de quatorze ans, jouoit voulluntiers, comme on disoit ; et tellement qu’il fut dit que pour ce qu’il avoit joué, la servante dudit maistre Andrieu le menaiçait de le faire baitre. Et ne sçait on au vray comment il en fut ; mais au bout de deux jours que l’on pensoit qu’il s’en fut fuy, il fut trouvé pendu et estranglé en ung tison qui estoit tiré à demi hors en ung groz monciaul de bois en leur grainge, et fut trouvé le lundi, lundemain que le feu fut boutté à Burlixe. Et incontinent justice en fut advertie ; et pource que l’on estimoit que luy meisme se fut pendu et deffait, il fut prins et trayné dessoubz la roue, entre deux ponts, là où se mettent les malfaicteurs, et là eu ce lieu fut enterré. » Et en 1519 (p. 745) : « En celle année l’on fut adverti que, à tort et sans cause, l’on avoit enterré ung josne gairs soubz les roues entre deux ponts aux champs, là et au lieu auquel se mectent les malfaicteurs. Et la cause pourquoy fut pour ce qu’il avoit esté trouve pendu et estranglé, deux ans devant, environ le jour sainct Luc, dix huictiesme jour d’octobre, en ung monciaul de bois en l’hostel de maistre Andrieu, maistre des enffans de cueur de la grant eglise de Mets : parquoy fut traisné aux champs et enterré, comme dit est devant, en terre prophane. Mais en ceste presente année, mil vc et xix, fut congnu et confessé en l’hostel du doien de la ville par celle maleureuse, inhumaine et cruelle femme de laquelle j’ay icy devant parlé [une certaine Sebille], qui se pendit en celle meisme année en l’hostel dudit doyen, qu’elle meisme l’avoit tué et puis l’avoit pendu audit logne en la grainge maistre Andrieu. Parquoy les amis dudit josne clerc, eaigié de environ quatorze ans, sont venus de la ville de Gorze, et, la chose bien cognue, ont requis à justice que le corps de ce josne filz, leur parent, fust deterré, et qu’il leur fust livré pour le porter au lieu de Gorze et là l’ensepvellir : laquelle chose fut faicte, et fut cest enffant deterré et honoraublement par ses parens et amis porté à Gorze, et là en terre saincte ensepvelli et inhumé, et le service fait comme au cas appartient. Mais une chose digne de memoire veulx reciter et presque tenue pour miracle ; ce fut que l’on trouvait le corps de cest enffant aussy entier comme au jour qu’il y fut mis, sauf et reservé dessus le col là où la corde l’avoit heu affolé. El furent plusieurs gens, tant de la cité comme de dehors, à le veoir, qui donnaient tesmoingnaige de ceste chose. »\n\nLes Chroniques de la ville de Metz, 900-1552, ed. J. F. Huguenin (Metz : Lamort, 1838)"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"36963"},["text","Lorey (de), Andrieu (…-…). 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Cimber (ed.). Archives curieuses de l’histoire de France depuis Louis XI jusqu’à Louis XVIII, ou Collection de pièces rares et intéressantes (Paris : Beauvais, 1836)\nCimber, 1 série, t. 8\np. 355\n6 octobre 1572. — A Joachin Thibault, dict Coruille, joueur de lire dudict seigneur, la somme de six vingt cinq livres tourn., dont ledict sieur luy a faict don en considération des services qu’il luy a faicts cy-devant en son dict estat, faict et continue encore chacun jour, et pour luy donner moyen de parachever la composition de musicque par luy commencée, pour chanter à plusieurs voix des vers en rhitme et musicque, qui se réciteront sur la lire et le luth. \n"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Cazaux, 10 mars 2010\nAurais-tu dans ta base sur les musiciens du 16e siècle trace d'un certain Etienne Martin ? Ce musicien était maître de la psalette de ND de Châtellerault dans les années 1540 et il semble avoir eu des liens aussi avec Saint-Hilaire de Poitiers. Il est mort en 1550 et a laissé un testament assez intéressant dans lequel il y a un inventaire de ses livres de musique...\n\nLalanne 1859\nHistoire de Chatelleraud et du Chatelleraudais: Volume 1 - Page 283\nbooks.google.fr\nCharles-Claude Lalanne - 1859 - 613 pages - Afficher la publication en entier\nUn inventaire, fait en 1550 à la requête d'Etienne Martin , maître de la psalette de Notre-Dame , nous fait connaître quelques morceaux de musique alors f~ \"«?« dans cette collégiale : (1) Chapelte de t'ancienne prison et précédern\"\"' ..."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Membre d'une ancienne famille de Rouen, Deschamps agit comme aumônier de Charles VI en 1415, et après chanoine de Coutances, curé de Pirou, puis chanoine de la cathédrale de Rouen en 1420. Il était successivement chancelier de cette église, trésorier de l'archevêché (1423 et 1432),  doyen (1435), vicaire général à la vacance du siège (1436), député par le Conseil royal et  par le Chapitre aux Etats de Paris (1424); chargé par le Concile de Bâle de faire publier les indulgences accordées en vue de la réunion  des Grecs à l’Église catholique (1437). Deschamps était maître des enfants de chœur à la cathédrale de Rouen, et en 1427 il donna un revenu à la fabrique, en 1427 pour acheter un bonnet de drap de laine pour les enfants de chœur, « bon et suffisant, de couleur vermeille, pour eschiver aux froidures du temps d’hyver. » Pendant un procès en matière de foi, il mourût en prison en 1438, et son nom fut rayé de la liste des chanoines, mais il fut néanmoins enterré dans la cathédrale.\n\nNON, IL FIT UNE FONDATION POUR LES ENFANTS MAIS NE SEMBLE JAMAIS AVOIR EU LA DIRECTION DE LA MAITRISE\n\nSON ONCLE, FAMEUX THÉOLOGIEN, \nEssai sur la vie de Jean Gerson, chancelier de l'église et de ...: Volume 2 - Page 334\nJean-Baptiste L'Ecuy - 1832 - Afficher la publication entière\nGilles Deschamps , en latin ALgidius Campensis ou De Campis, docteur de la maison et société royale de Navarre , né à Rouen , et issu d'une famille noble, rendit de grands services à l'État et à l'Eglise. Il vint jeune à Paris, ..."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"37032"},["text","Deschamps, Gilles (…-…)"]]]]]]]],["item",{"itemId":"2382","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Enregistré comme maître du Puy d’Amiens en 1568; il prit comme devise: «Accord parfait en musique divine». Leroy 1908, 660."]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"37045"},["text","Bigand, Jean (…-…). Musician"]]]]]]]],["item",{"itemId":"2383","public":"1","featured":"1"},["collection",{"collectionId":"1"},["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Enregistré comme maître des enfants de chœur à la cathédrale d’Amiens, 1514. Leroy 1908, 680.\n\nVOIR AUSSI A ROUEN\n\nHistoire de la maîtrise de Rouen - Page 115\n \nA. Collette, A. Bourdon - 2000 - 277 pages\nGeorges d'Amboise le leur ayant refusé, ils firent venir François Dulot de Saint-Omer, que l'organiste de la ... 1522 François Dulot (1), de Saint-Omer, fut reçu le 22 février 1522 et pourvu L'année suivante du modeste bénéfice de ...\n\nDulot [Du lot, Dullot], François\n(b Saint-Omer; fl first half of the 16th century). French composer. In 1514 he was master of the children’s choir at Amiens Cathedral and was appointed maître de chapelle at Rouen Cathedral on 22 February 1523. He was discharged in January 1531, apparently for failing to fulfil his duties properly. For a few months in 1534 his brother Nicolas served as organist at the cathedral. Too few of Dulot's compositions survive for conclusions to be drawn about his style. En espérant has an unusual combination of four low parts, presumably for men only.\nWORKS\nMagnificat primi toni, 4vv, 15347; ed. A. Smijers and A.T. Merritt, Treize livres de motets parus chez Pierre Attaingnant en 1534 et 1535, v (Monaco, 1960)\nMaria Magdalene et Maria Jacobi et Salome, motet, 4vv, 15344; ed. A. Smijers, Treize livres, ii (Paris, 1936)\nEn espérant le printemps advenir, 4vv, 15292; ed. in MMRF, v (1897/R); Je recommance mes douleurs, 5vv, CH-SGs 463; Le cueur de vous ma dame par amours, 4vv, 15311; Longtemps y a que je vis en espoir, 4vv, 15304 (anon.), 15363 (Dulot), 15373 (Sermisy)\nBIBLIOGRAPHY\nVannesD\nM. Vanmackelberg: ‘Autour de Jehan Titelouze’, RMFC, iv (1964), 5–32, esp. 24–5 \nCOURTNEY S. 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