Surname
Hustin de Ora
Given Name
Adam
Variant Name
Hoya (de)
Place of birth
Hoya
Active period
1439 - 1442
Workplace
Liège
Biography
Un certain Adam fut succentor de Saint-Denis de Liège en 1437/38 (Saucier 2005, p. 331)
• Chanteurs nommés dans la déploration sur la mort d’Albert II, le motet Romanorum rex de J. de Sarto : Erasmus Adam [tjrs lu ainsi, mais pourquoi pas plutôt Erasmus, Adam!], Johannes de Sarto, Johannes Tirion et Martin Galer.
• Dans les Regesta de Frédéric III:
1440 November 9 Neustadt / 163: Primariae preces (reformatae) pro Adam. Hustini de Ora ad Abbatissam et Capitulum Ecclesiae St. Gertrudis Nivellensis pro portione regali. O. 19.
1441 Februar 4 Neustadt / 219: Lit. Capellanatus data Adae Hustini de Ora, presbitero Leodiensis diöc. O. 31.
1441 September 12 Grätz / 371: Fridericus R. R. commissionem dat Theoderico Archiepiscopo Coloniensi, ut in quaestionis materia inter Petrum Kalde prepositum in Northusen et ecclesie beate Marie Aquensis Canonicum et Adam de Hoya presbiterum Cantorem, suborta super praebendali regia portione in ecclesia S. Gertrudis Nivellensis, si concordiam efficere nequiverit, usque ad sententiam definitivam exclusive procedat. O. 95.
1442 Juli 28 Frankfurt / 809: Praebenda regalis in ecclesia St. Gertrudis Nivellensi, super qua inter Petrum Kalde Praepositum Northusens. et Adamum Hustein de Ora, Cappellanum regium, lis exorta fuit, facta inter eos amicabili compositione, Petro Kalde restituitur et de novo confertur.; et Abbatissae et Capitulo Ecclesiae Nivellensis supradicta restitutio et collatio praebendae regalis intimatur. N. 85.
• (Fallows Cat=)Article NG2 Adam (fl 1420-30). Composer, possibly French. His three rondeaux, Au temps vendra, Au grief hermitage and Tout a caup, were copied into the manuscript GB-Ob Can.misc.213 soon after 1430 (all ed. in CMM, xi/2, 1959). He could be identifiable with Adam Fabri, clerc de matines at Notre Dame in Paris in 1415; Adam Meigret, first chaplain to Charles VI of France at the time of the king's death in 1422; Erasmus Adam, mentioned in the motet lamenting the death of King Albrecht II in 1439; Adam Hustini de Ora from Cambrai, who was in the Habsburg chapel in 1442-3; or more likely Adamo Grand (sometimes called Magister Adam), master of the choirboys at the Savoy ducal chapel from 1433 to 1438.
BIBLIOGRAPHY J., J.F.R. and C. Stainer, eds.: Dufay and his Contemporaries (London, 1898/R) [incl. complete edition]. D. Fallows: A Catalogue of Polyphonic Songs, 1415-1480 (Oxford, 1999). TOM R. WARD/DAVID FALLOWS
• La mise au jour de Adam Hustin vient de Strohm 1993, p. 182, “Adam Hustini de Ora from Cambrai who sang in the Habsburg chapel in 1442/43” mais l’origine cambrésienne est incompréhensible.
• Chanteurs nommés dans la déploration sur la mort d’Albert II, le motet Romanorum rex de J. de Sarto : Erasmus Adam [tjrs lu ainsi, mais pourquoi pas plutôt Erasmus, Adam!], Johannes de Sarto, Johannes Tirion et Martin Galer.
• Dans les Regesta de Frédéric III:
1440 November 9 Neustadt / 163: Primariae preces (reformatae) pro Adam. Hustini de Ora ad Abbatissam et Capitulum Ecclesiae St. Gertrudis Nivellensis pro portione regali. O. 19.
1441 Februar 4 Neustadt / 219: Lit. Capellanatus data Adae Hustini de Ora, presbitero Leodiensis diöc. O. 31.
1441 September 12 Grätz / 371: Fridericus R. R. commissionem dat Theoderico Archiepiscopo Coloniensi, ut in quaestionis materia inter Petrum Kalde prepositum in Northusen et ecclesie beate Marie Aquensis Canonicum et Adam de Hoya presbiterum Cantorem, suborta super praebendali regia portione in ecclesia S. Gertrudis Nivellensis, si concordiam efficere nequiverit, usque ad sententiam definitivam exclusive procedat. O. 95.
1442 Juli 28 Frankfurt / 809: Praebenda regalis in ecclesia St. Gertrudis Nivellensi, super qua inter Petrum Kalde Praepositum Northusens. et Adamum Hustein de Ora, Cappellanum regium, lis exorta fuit, facta inter eos amicabili compositione, Petro Kalde restituitur et de novo confertur.; et Abbatissae et Capitulo Ecclesiae Nivellensis supradicta restitutio et collatio praebendae regalis intimatur. N. 85.
• (Fallows Cat=)Article NG2 Adam (fl 1420-30). Composer, possibly French. His three rondeaux, Au temps vendra, Au grief hermitage and Tout a caup, were copied into the manuscript GB-Ob Can.misc.213 soon after 1430 (all ed. in CMM, xi/2, 1959). He could be identifiable with Adam Fabri, clerc de matines at Notre Dame in Paris in 1415; Adam Meigret, first chaplain to Charles VI of France at the time of the king's death in 1422; Erasmus Adam, mentioned in the motet lamenting the death of King Albrecht II in 1439; Adam Hustini de Ora from Cambrai, who was in the Habsburg chapel in 1442-3; or more likely Adamo Grand (sometimes called Magister Adam), master of the choirboys at the Savoy ducal chapel from 1433 to 1438.
BIBLIOGRAPHY J., J.F.R. and C. Stainer, eds.: Dufay and his Contemporaries (London, 1898/R) [incl. complete edition]. D. Fallows: A Catalogue of Polyphonic Songs, 1415-1480 (Oxford, 1999). TOM R. WARD/DAVID FALLOWS
• La mise au jour de Adam Hustin vient de Strohm 1993, p. 182, “Adam Hustini de Ora from Cambrai who sang in the Habsburg chapel in 1442/43” mais l’origine cambrésienne est incompréhensible.